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Robert B. Parker's Colorblind
2018
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A series of hate crimes entangles Jesse Stone in a plot of unexpected proportions at the same time a mysterious, vengeance-driven young man becomes his unlikely protégé. By the best-selling author of The Hangman's Sonnet. - (Baker & Taylor)

Police chief Jesse Stone returns in the newest novel in Robert B. Parker's New York Times--bestselling series, and his newest case hits right at the heart of the Paradise police force.

Jesse Stone is back on the job after a stint in rehab, and the road to recovery is immediately made bumpy by a series of disturbing and apparently racially motivated crimes, beginning with the murder of an African American woman. Then, Jesse's own deputy Alisha--the first black woman hired by the Paradise police force--becomes the target of a sophisticated frame-up. As he and his team work tirelessly to unravel the truth, he has to wonder if this is just one part of an even grander plot, one with an end game more destructive than any of them can imagine.

At the same time, a mysterious young man named Cole Slayton rolls into town with a chip on his shoulder and a problem with authority--namely, Jesse. Yet, something about the angry twenty-something appeals to Jesse, and he takes Cole under his wing. But there's more to him than meets the eye, and his secrets might change Jesse's life forever. - (Penguin Putnam)

Author Biography

Robert B. Parker was the author of seventy books, including the legendary Spenser detective series, the novels featuring Chief Jesse Stone, and the acclaimed Virgil Cole/Everett Hitch westerns, as well as the Sunny Randall novels. Winner of the Mystery Writers of America Grand Master Award and long considered the undisputed dean of American crime fiction, he died in January 2010. Reed Farrel Coleman, author of the New York Times--bestselling Robert B. Parker's The Hangman's Sonnet, has been called a "hard-boiled poet" by NPR's Maureen Corrigan and the "noir poet laureate" in The Huffington Post. He has published twenty-seven previous novels, including nine books in the critically acclaimed Moe Prager series, and, most recently, What You Break, featuring Gus Murphy. A four-time winner of the Shamus Award, he has also won the Anthony, Macavity, Barry, and Audie awards. Coleman lives with his family on Long Island. - (Penguin Putnam)

First Chapter or Excerpt
1

She thought she might pass out from the ache in her side or that her heart might explode in her chest as she ran barefoot along the dunes. Her beautiful long beaded braids, of which she was rightfully proud, slapped against her shoulders, her face, and fell in front of her eyes. She stopped, trying to catch her breath and to listen for them, for their heavy footfalls, but the low roar of the waves swallowed up all the sounds of the night, much as they had overwhelmed her cries for help.

Too tired to think, she bent over at the waist, sucking in huge gulps of crisp sea air. Her throat was raw from screaming. Sweat rolled down her forehead, stinging her eyes. It covered her dark black skin and soaked through her sports bra, panties, and torn warm-up pants. As her wind returned to her and the stitch in her side subsided, she felt the burn of her sweat seeping into the nicks and cuts around her ankles caused by the brambles and sharp dune grasses. Her jaw was throbbing from where one of them had smashed his fist into her face. And as she pressed her fingers to the swelling, the absurdity of the situation rushed back in like the waves on the beach below. This can't be happening to me. Things like this happen to other women.

She reached into her pocket to feel for the cell phone that she knew wasn't there, the image of it on top of the nightstand as clear to her as if she were back in the room at the bed-and-breakfast. Her skin was suddenly gooseflesh, her perspiration turning cold with fear, and she wished she'd listened to Steve and taken her phone, wished she'd been able to hang on to her Harvard hoodie. But the man who'd laid her out with that one punch, the man who'd torn at her pants and climbed on top of her, grunting, pawing her, had clutched it even after she'd kneed him in the groin. It was only when she rolled out from under him and ran, hearing laughter in the night, that she realized the man who'd attacked her wasn't alone. She ran down to the beach, hoping, praying, that she'd come upon another runner or a couple, maybe some kids around a campfire. But there was no one, not in either direction, not as far as she could see.

There were tears in her eyes. She was shaking and her heart was doing a fluttery thing she wasn't sure she had ever felt before. She'd been able to hold it together until then, until she saw that she was very alone on that stretch of Massachusetts beach. She decided to double back and head north along the shore toward the B-and-B in Swan Harbor. She prayed the men chasing her had gone south, trying to get ahead of her to wall her off and pin her in. Besides, she had no idea what was down the beach beyond the edge of darkness. At least she had some sense of the beach in Swan Harbor and knew that at one point the beach became rocky. Maybe there was a cave or a cove she could hide herself in until sunup. The thought of that, of the sun rising over the Atlantic, stopped the tears and filled her with hope. It was short-lived.

There they were, above her, to her left along the dunes. She ran faster, then stopped dead in her tracks at the sight of a shadowy figure thirty yards ahead of her on the beach. She turned the other way, but it was no good. Two of them were there. She ran to the dunes, her churning feet sinking into the cool sand as they came around slowly behind her, their sneering laughter filling the night. One of them yanked her braids so that her head snapped back and she lost her balance, the sand slipping out from under her feet. She fell awkwardly onto her neck and shoulder, landing so hard that pain shot down her whole left side, the jolt of it taking her breath away.

When she came back into the moment a few seconds later, she wished she hadn't. They had her pinned and he was on top of her again. Only this time his knees were on either side of her. She swung her head wildly from side to side, writhed beneath him, fighting to break free of the hands holding her down, but it was no good. He clamped a powerful hand under her chin to force her to look up at him.

"You just had to go and knee me, didn't you?" he said, squeezing her face so hard that her teeth cut into the insides of her cheeks. The taste of copper and iron flashed across her tongue. Her body steadied as much out of exhaustion as anything else. "You made a mistake doing that. A very big mistake. Get her damned pants off. Time to teach her a lesson."

She was at it again, her muscles giving absolutely everything they had left to give, and she screamed for all it was worth. But her voice was nearly gone, as was all of her strength.

"You done now?" he said in a whisper, his lips close to her ear. "Are you done?"

She was crying too fiercely to answer him, and before she could even think what to do next she felt his fist crash into her face again and again. Her body went limp and her mind empty. When she roused, she'd retreated into a peaceful world so deep inside her own head that she wanted to stay there forever. It was strange, she thought, how she could still hear the sea and could feel them dragging her by the feet, the sand and dune grasses tearing at her face. Then, just before she slipped completely away, she remembered that tomorrow was Columbus Day. The Ni–a, the Pinta, and the Santa Mar’a. The Ni–a, the Pinta, and the Santa Mar’a. The Ni–a . . . She could no longer hear the ocean.

2

Everything was completely different, yet just the same. Paradise was as it had always been in the fall, the trees exploding with color, the wind blowing in off the Atlantic biting with sharper teeth. Jesse Stone wasn't a man given to deep philosophical thought. He knew up from down, which base to cover when throws came in from the outfield, and, most important, right from wrong. His sense of right and wrong was like his North Star, guiding him through the wilderness of a world that had lost its way. Yet as he looked at the windblown swirl of reds, yellows, browns, and greens on the trees outside his new condo that morning, he could not help but think it strange that the beauty of the leaves was an expression of their deaths. As far as he could tell, there was only inevitability in human death and not much beauty in it. There was certainly no beauty in murder, the kind of death he was most familiar with.

He didn't waste any more time contemplating the leaves or why the familiar now seemed strange. There was the fact that his house had been sold that summer and that he'd moved into a two-bedroom condo in a development at the edge of the Swap. That wasn't it. He had moved many times in his life without it shaking his foundation. Nor was it that today would be his first day back on the job after two months away. He had to admit that it had taken some getting used to, being away from Paradise. Jesse hadn't taken any real time off since he'd been forced to walk away from baseball and joined the LAPD. That was strange, too, because it felt like it had happened both only yesterday and a million years ago. He knew exactly what it was that was causing him to see the world with new eyes, and he knew he was going to have to spend every day for the rest of his life getting used to it.

Patricia Cooper at the donut shop raised her right eyebrow at the sight of Jesse standing before her. For an old Yankee like Patricia, a raised eyebrow was tantamount to a fainting spell.

"Jeez, Jesse. Been a long time. Got so we were worried Molly would be warming your seat on a permanent basis."

"She would never let that happen."

One corner of Patricia's mouth turned up. "No, I s'pose not. An assorted dozen for you?"

"Better make that two dozen and a large cup of coffee. We've got that machine in the station now, but I've thought about the taste of your coffee every day since I've been gone."

The other corner of her mouth turned up.

Molly was seated at the front desk, not in JesseÕs office as heÕd expected. TheyÕd spoken a few times since heÕd returned, but like everything else since heÕd come home, their conversations had been just a bit different. The usual rhythm of their banter seemed out of joint. HeÕd supposed that was a function of MollyÕs anger at him for sticking her in a job she never wanted and for staying away a few weeks longer than heÕd planned to be gone.

Before he could open his mouth, Molly said, "Don't you ever do that to me again, Jesse Stone. God knows why I love you in the first place, but it won't last two more months of me sitting in that office." She pointed over her shoulder at the door with chief printed in black letters on the pebbled glass.

He placed the donuts in front of her. "Cross my heart, Crane."

"Put them in the break room yourself. Until you walk into that office back there, I'm still acting chief."

"Seems to me you're pretty comfortable with giving orders."

"Seems to me I hated every minute of it."

"How about the extra pay?"

When Molly smiled up at him, he knew things would be all right. Just as his sense of right and wrong had been his internal guide, Molly had long since become the person by whom he could set his watch.

Jesse took two donuts out of the box and left the rest right where they were. "I'm going into my office now, Crane. You can make an executive decision about what to do with the donuts." He turned and walked away.

"Jesse!" she called after him.

"What is it, Molly?"

"It's good to have you back."

"Good to be back. In ten minutes, come in and we'll talk over personnel and what's been going on while I've been gone."

The office was much as he had left it, if neater and a tad less dusty. But the essentials were in place: his worn glove and ball on his desk, the flags in the corner, the photos of the past chiefs on the wall, the slats of the old blinds open on the yacht club and Stiles Island. He sat behind his desk, his eyes immediately turning to the lower right-hand drawer, the drawer in which he had kept a bottle of Johnny Walker Black Label since he first arrived in Paradise. There was no bottle in there now. He was determined that there would never be one there again. He wasn't just playing at not drinking anymore or, as Dix phrased it, holding his breath to prove to the world he didn't need to drink. He'd been to rehab, finally, and had been sober for a few weeks. But he had been warned that the struggles might not begin in earnest until he got back to his familiar surroundings. Seeing the empty space where the bottle used to reside, smelling the scotch that wasn't there, he felt a phantom twinge, as if from a limb that had recently been removed.

3

Molly sat across the desk from him, a small pile of files between them. Jesse picked up the top file, opened it, and scanned the few sheets of paper within.

"How's Suit?"

Molly shook her head. "Even more boring now that he's married."

"Alisha," he said. "How's she doing?"

Molly's expression surprised him.

"What's that face about?"

She said, "I guess Alisha's feeling her oats."

"C'mon, Molly, this isn't Modern Farmer. What does that mean?"

"It's just that she's not the shy, quiet, obedient rookie anymore. She questioned the way a few of the older guys handled some things. They didn't like it much."

"Coming from a woman, you mean?"

Molly didn't answer.

"Or from an African American woman?"

Hiring Alisha hadn't been a popular move with the Board of Selectmen. Some of it had to do with her race, though Jesse suspected it had less to do with her gender or the color of her skin than budgetary concerns. They would have preferred he take on a retired big-city cop who already had a pension and medical benefits. But Jesse knew that hiring a retired cop came with baggage. He didn't need a cop who had bad habits or thought he was doing Paradise a favor, someone who could walk away the first time things got rough or he got an order he didn't like. Jesse wanted someone he could train himself, someone who would be committed to Paradise. Jesse recognized that the town was changing, that people from Boston were moving in and commuting. He wanted a more diverse force and for his cops to reflect Paradise's future and not only its past.

"I don't think it's that, Jesse," Molly said. "She's young, and you know how guys set in their ways can get."

"Uh-huh."

"I was going to have to tell you anyway, so I might as well tell you now. For the last few weeks, we've been having some trouble with bikers, mostly in the Swap."

"Bikers as in biker gangs like Satan's Whores? I can deal with-"

She cut him off. "Not them, Jesse. These were skinhead types, belligerent, real troublemakers. They went into the Scupper and started squawking about how even lily-white places like Paradise were being overrun by 'mud people and inferior races.'"

"I've heard it all before. Same song, different day. We had them when I was a kid in Tucson and in L.A. Free speech comes in ugly forms, too. So what happened?"

"Joey the barman phoned it in to the station when some of the patrons took exception, and Alisha was in that sector. I sent Suit and Gabe as backup . . . just in case."

"Good decision. It's what I would have done."

"But when Suit and Gabe saw what was going on, they pulled seniority on Alisha and got between her and the skinheads. I wasn't there, but Gabe says it was getting pretty heated. Sounded to me like they did the right thing by taking charge."

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Booklist Reviews

Paradise, Massachusetts, police chief Jesse Stone is out of rehab. His drinking went over the edge following the brutal murder of his fiancée. Now it's a shaky return to the job, bolstered by a 12-step program. Paradise, once a relatively sleepy resort town, seems now to be a petri dish for virulent racism. A young woman, half of a biracial couple, is viciously attacked. A cross is burned in front of Jesse's old house, now occupied by another dual-ethnicity couple. Alisha, a young African American woman on the Paradise force, is off-duty when challenged by a biker gang. A few days later she's baited into shooting an unarmed white man who just happens to be the son of a local neo-Nazi with visions of a national profile. The state police investigating the shooting have all but convicted Alisha. Jesse is not convinced and develops an alternative theory for the shooting. Coleman's take on Parker's Jesse Stone is a work in progress, as it should be with any series character. He's slowly extricating Stone from his demons without minimizing them. Jesse is in good hands. Copyright 2018 Booklist Reviews.

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