Working a 26-year-old cold case involving the murder of a convicted felon's mistress, retired Baltimore detective Roberto Sanchez becomes tangled up in a web of bitterness, jealousy, and greed that spans 30 years and connects five women whose lives will never be the same once the truth is exposed. 150,000 first printing. - (Baker & Taylor)
Working a twenty-six-year-old cold case involving the murder of a convicted felon's mistress, retired Baltimore detective Roberto Sanchez discovers a web of bitterness, jealousy, and greed involving five women which spans five decades. - (Baker & Taylor)
Laura Lippman, the acclaimed New York Times bestselling author of The Most Dangerous Thing, I’d Know You Anywhere, and What the Dead Know, returns with an addictive story that explores how one man’s disappearance echoes through the lives of the wife, mistress, and daughters he left behind.
When Felix Brewer meets Bernadette “Bambi” Gottschalk at a Valentine’s Dance in 1959, he charms her with wild promises, some of which he actually keeps. Thanks to his lucrative—if not all legal—businesses, she and their three little girls live in luxury. But on the Fourth of July, 1976, Bambi’s comfortable world implodes when Felix, newly convicted and facing prison, mysteriously vanishes.
Though Bambi has no idea where her husband—or his money—might be, she suspects one woman does: his mistress, Julie. When Julie disappears ten years to the day that Felix went on the lam, everyone assumes she’s left to join her old lover—until her remains are eventually found.
Now, twenty-six years after Julie went missing, Roberto “Sandy” Sanchez, a retired Baltimore detective working cold cases for some extra cash, is investigating her murder. What he discovers is a tangled web stretching over three decades that connects five intriguing women. And at the center is the missing man Felix Brewer.
Somewhere between the secrets and lies connecting past and present, Sandy will find the truth. And when he does, no one will ever be the same.
The acclaimed New York Times bestselling author of The Most Dangerous Thing,I'd Know You Anywhere, and What the Dead Know returns with an addictive story that explores how one man's disappearance echoes through the lives of the five women he left behind—his wife, his daughters, and his mistress
Dead is dead. Missing is gone.
When Felix Brewer meets nineteen-year-old Bernadette "Bambi" Gottschalk at a Valentine's Day dance in 1959, he charms her with wild promises, some of which he actually keeps. Thanks to his lucrative—if not all legal—businesses, she and their three little girls live in luxury. But on the Fourth of July in 1976, Bambi's comfortable world implodes when Felix, facing prison, vanishes.
Though Bambi has no idea where her husband—or his money—might be, she suspects one woman does: his devoted young mistress, Julie. When Julie disappears ten years to the day after Felix went on the lam, everyone assumes she's left to join her old lover—until her remains are discovered in a secluded park.
Now, twenty-six years later, Roberto "Sandy" Sanchez, a retired Baltimore detective working cold cases for some extra cash, is investigating her murder. What he discovers is a tangled web of bitterness, jealousy, resentment, greed, and longing stretching over five decades. And at its center is the man who, though long gone, has never been forgotten by the five women who loved him: the enigmatic Felix Brewer.
Felix Brewer left five women behind. Now there are four. Does at least one of them know the truth?
The catalyst for Lippman's (And When She Was Good, 2012) smart and mesmerizing nineteenth work of fiction is the 1976 disappearance of sexy and calculating Felix Brewer, the head of a megaprofitable Baltimore gambling operation. In flight to avoid prison, he tries to do right by his gorgeous, loyal wife, Bambi, née Bernadette Gottschalk; his three temperamentally complex daughters; and his trusting mistress, Julie Saxony. But, instead, they all suffer emotional torment and financial deprivation. Ten years later, Julie's body is found in a park. Recently widowed former police detective Roberto "Sandy" Sanchez, a blue-eyed, blond Cuban, working cold cases freelance, now has a hunch that Saxony's murder can finally be solved. On this flexible frame, Lippman stretches a richly textured canvas that depicts, with wit and sensitivity, the wounded but tough women Felix left behind. As she traces the matrix of longing, jealousy, and betrayal that led to Julie's murder, Lippman incisively explores marriage, Jewish family life, class distinctions, and the power and liability of physical beauty, thus creating an involving and elegant novel of the psychological ravages of crime. HIGH-DEMAND BACKSTORY: An extensive marketing campaign will cover all media bases as best-selling Lippman goes on tour. Copyright 2013 Booklist Reviews.
Library Journal Reviews
Investigating cold cases for some extra cash, retired Baltimore detective Roberto "Sandy" Sanchez looks into the murder 26 years earlier of Julie, once mistress to rich but shady businessman Felix Brewer, who disappeared ten years before Julie's death. No one knows what happened to Felix, but Sandy soon finds himself untangling a web of greed, jealousy, and deceit linking Julie, Felix's devoted wife, Bambi, and their three daughters. Lippman has deservedly won every mystery award out there and routinely racks up New York Times best sellers; with a 150,000-copy first printing and a six-city tour.
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Library Journal Reviews
Rather than face 15 years in prison, Baltimore gambling boss Felix Brewer goes on the lam in 1976, leaving behind his wife, Bambi, the love of his life; his beloved daughters, Linda, 17, Rachel, 14, and Michelle, three; and his mistress, ex-stripper Julie Saxony. Ten years later, Julie disappears. It's suspected that she joined Felix, until her body is discovered in 2001 in a park near Bambi's childhood home. The Saxony cold case is reopened in 2012 by Roberto "Sandy" Sanchez, a widowed retired detective working as a consultant for the Baltimore police department. Chapters detailing critical points in the Brewer women's lives from 1959 forward alternate with those about the murder investigation, which is ultimately solved by following the money. VERDICT In this stand-alone (adroitly linked to the Tess Monaghan series), Lippman focuses on the inner lives of the women left behind. Despite the murder at its center, this is less a suspenseful whodunit than a masterly novel of character, with secrets skillfully and gradually revealed. Revel in the pace and pleasures of this book (including section headings that riff on the song "Hold Me, Thrill Me, Kiss Me") that should add to Lippman's literary luster. [See Prepub Alert, 8/19/13.]—Michele Leber, Arlington, VA
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