Format:
Book
Author:
Title:
Edition:
First Edition.
Publisher, Date:
London : Hogarth, 2014.
Description:
212 pages ; 22 cm
Summary:
Born in a rural Mexico region where girls are disguised as boys to avoid the attentions of traffickers, Ladydi dreams of a better life before moving to Mexico City, where she falls in love and ends up in a prison with other women who share her experiences.
Genre:
Subjects:
LCCN:
2013025756
ISBN:
9780804138789 (hbk.)
0804138788 (hbk.)
9780804138789
0804138788
Other Number:
852957269
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1
System Availability:
4
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0
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Born in a rural Mexico region where girls are disguised as boys to avoid the attentions of traffickers, Ladydi dreams of a better life before moving to Mexico City, where she falls in love and ends up in a prison with other women who share her experiences. - (Baker & Taylor)

Born in a rural Mexico region where girls are disguised as boys to avoid the attentions of traffickers, Ladydi dreams of a better life before moving to Mexico City, where she falls in love and ends up in a prison with other women who share her experiences. By the award-winning author of A True Story Based on Lies. - (Baker & Taylor)

A haunting story of love and survival that introduces an unforgettable literary heroine

Ladydi Garcia Martínez is fierce, funny and smart. She was born into a world where being a girl is a dangerous thing. In the mountains of Guerrero, Mexico, women must fend for themselves, as their men have left to seek opportunities elsewhere. Here in the shadow of the drug war, bodies turn up on the outskirts of the village to be taken back to the earth by scorpions and snakes. School is held sporadically, when a volunteer can be coerced away from the big city for a semester. In Guerrero the drug lords are kings, and mothers disguise their daughters as sons, or when that fails they “make them ugly” – cropping their hair, blackening their teeth- anything to protect them from the rapacious grasp of the cartels. And when the black SUVs roll through town, Ladydi and her friends burrow into holes in their backyards like animals, tucked safely out of sight.

While her mother waits in vain for her husband’s return, Ladydi and her friends dream of a future that holds more promise than mere survival, finding humor, solidarity and fun in the face of so much tragedy. When Ladydi is offered work as a nanny for a wealthy family in Acapulco, she seizes the chance, and finds her first taste of love with a young caretaker there. But when a local murder tied to the cartel implicates a friend, Ladydi’s future takes a dark turn. Despite the odds against her, this spirited heroine’s resilience and resolve bring hope to otherwise heartbreaking conditions.

An illuminating and affecting portrait of women in rural Mexico, and a stunning exploration of the hidden consequences of an unjust war, PRAYERS FOR THE STOLEN is an unforgettable story of friendship, family, and determination. - (Random House, Inc.)

Author Biography

Jennifer Clement is the author of multiple books, including Widow Basquiat. She was awarded the NEA Fellowship for Literature and the Sara Curry Humanitarian Award forPrayers for the Stolen. Formerly president of PEN Mexico, she currently lives in Mexico City.

- (Random House, Inc.)

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Booklist Reviews

*Starred Review* In Clement's powerful new novel, Ladydi Garcia Martinez tells the story of how she grew up in a remote Mexican mountain village disguised as a boy. This was to ensure that the marauding gangs of drug dealers believed that the village was populated solely by adult women and young boys. No men and absolutely no pretty young girls. It's a survival strategy that works only marginally well. When it doesn't work, well, it's bad. It seems as if these thugs are always lurking, always hovering over villages, always ready to kidnap young, lovely girls. Ironically, it is the lure of this gang life or the flimsy promise of making it in the U.S. that has induced the men of Ladydi's village to leave. And so her History Channel–educated mother does the best she can with whatever meager means are available to raise and protect her daughter in this tenuous, matriarchal culture. It is her mother's pliable morality that defines her character and in a paradoxical way arms Ladydi to survive in modern Mexico. Clement's deft first-person narrative style imbues authenticity to her depiction of a world turned upside down by drug cartels, police corruption, and American exploitation. Copyright 2014 Booklist Reviews.

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2014

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