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First Edition.
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New York : St. Martin's Press, 2014.
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x, 406 pages ; 25 cm
Summary:
"Cavendon Hall is home to two families, the aristocratic Inghams and the Swanns who serve them, just as their ancestors did over the centuries. Charles Ingham, the sixth Earl of Mowbray, lives there with his wife Felicity and their six children: Guy, the heir, who is studying at Cambridge; their younger son Miles, attending Eton; and their four daughters Diedre, Daphne, DeLacy and Dulcie, affectionately called the Four Dees by the staff. Walter Swann, the premier male of the Swann family, is valet to the earl. His wife Alice, a clever seamstress, who is in charge of the countess's wardrobe, also makes clothes for the four daughters. For centuries, these two families have lived side-by-side, beneath the backdrop of the imposing Yorkshire manor. But now, with World War I looming, these two families will find themselves tested in ways they never thought possible. Loyalties are tested and betrayals are set into motion. In this time of uncertainty, one thing is sure: these two families will never be the same again. Set over a period of sixteen years (from 1913 to 1929), Cavendon Hall is Barbara Taylor Bradford at her very best. "-- Provided by publisher.
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2013047078
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9781250032355 (hbk.)
1250032350 (hbk.)
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867024464
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"Cavendon Hall is home to two families, the aristocratic Inghams and the Swanns who serve them, just as their ancestors did over the centuries. Charles Ingham, the sixth Earl of Mowbray, lives there with his wife Felicity and their six children: Guy, theheir, who is studying at Cambridge; their younger son Miles, attending Eton; and their four daughters Diedre, Daphne, DeLacy and Dulcie, affectionately called the Four Dees by the staff. Walter Swann, the premier male of the Swann family, is valet to theearl. His wife Alice, a clever seamstress, who is in charge of the countess's wardrobe, also makes clothes for the four daughters. For centuries, these two families have lived side-by-side, beneath the backdrop of the imposing Yorkshire manor. But now, with World War I looming, these two families will find themselves tested in ways they never thought possible. Loyalties are tested and betrayals are set into motion. In this time of uncertainty, one thing is sure: these two families will never be the same again. Set over a period of sixteen years (from 1913 to 1929), Cavendon Hall is Barbara Taylor Bradford at her very best. "-- - (Baker & Taylor)

A tale spanning 16 years in Edwardian England finds the centuries-long relationship between the aristocratic Inghams and the Swann family who serves them tested by the outbreak of World War I. By the award-winning author of A Woman of Substance. 100,000 first printing. - (Baker & Taylor)

A tale spanning sixteen years in early-twentieth-century England finds the centuries-long relationship between the aristocratic Inghams and the Swann family who serves them tested by the outbreak of World War I. - (Baker & Taylor)

From the #1 New York Times bestselling author comes an epic saga of intrigue and mystique set in Edwardian England. Cavendon Hall is home to two families, the aristocratic Inghams and the Swanns who serve them. Charles Ingham, the sixth Earl of Mowbray, lives there with his wife Felicity and their six children. Walter Swann, the premier male of the Swann family, is valet to the earl. His wife Alice, a clever seamstress who is in charge of the countess's wardrobe, also makes clothes for the four daughters. For centuries, these two families have lived side-by-side, beneath the backdrop of the imposing Yorkshire manor. Lady Daphne, the most beautiful of the Earl's daughters, is about to be presented at court when a devastating event changes her life and threatens the Ingham name. With World War I looming, both families will find themselves tested in ways they never thought possible. Loyalties will be challenged and betrayals will be set into motion. In this time of uncertainty, one thing is sure: these two families will never be the same again.
Cavendon Hall is Barbara Taylor Bradford at her very best, and its sweeping story of secrets, love, honor, and betrayal will have readers riveted up to the very last page.

- (McMillan Palgrave)

Author Biography

BARBARA TAYLOR BRADFORD was born and brought up in England, where she started her writing career as a journalist. She has written twenty-eight international bestsellers.Cavendon Hall is her twenty-ninth novel. In 2007 Queen Elizabeth awarded her the OBE for her literary achievements. She lives in New York with her husband, television, and film producer Robert Bradford.

- (McMillan Palgrave)

First Chapter or Excerpt

Cavendon Hall


By Barbara Taylor Bradford

St. Martin's Press

Copyright © 2014 Beaji Enterprises, Inc.
All rights reserved.
ISBN: 978-1-250-03235-5


Contents

Title Page,
Copyright Notice,
Dedication,
Author's Note,
Part One The Beautiful Girls of Cavendon May 1913,
Part Two The Last Summer July–September 1913,
Part Three Frost on Glass January–December 1914,
Part Four River of Blood February 1916–November 1918,
Part Five A Matter of Choice September 1920,
Acknowledgments,
Also by Barbara Taylor Bradford,
About the Author,
Copyright,


CHAPTER 1

Cecily Swann was excited. She had been given a special task to do by her mother, and she couldn't wait to start. She hurried along the dirt path, walking toward Cavendon Hall, all sorts of ideas running through her active young mind. She was going to examine some beautiful dresses, looking for flaws; it was an important task, her mother had explained, and only she could do it.

She did not want to be late, and increased her pace. She had been told to be there at ten o'clock sharp, and ten o'clock it would be.

Her mother, Alice Swann, often pointed out that punctuality might easily be her middle name, and this was always said with a degree of admiration. Alice took great pride in her daughter, and was aware of certain unique talents she possessed.

Although Cecily was only twelve, she seemed much older in some ways, and capable, with an unusual sense of responsibility. Everyone considered her to be rather grown-up, more so than most girls of her age, and reliable.

Lifting her eyes, Cecily looked up the slope ahead of her. Towering on top of the hill was Cavendon, one of the greatest stately homes in England and something of a masterpiece.

After Humphrey Ingham, the First Earl of Mowbray, had purchased thousands of acres in the Yorkshire Dales, he had commissioned two extraordinary architects to design the house: John Carr of York, and the famous Robert Adam.

It was finished in 1761. Lancelot "Capability" Brown then created the landscaped gardens, which were ornate and beautiful, and had remained intact to this day. Close to the house was a man-made ornamental lake, and water gardens at the back of the house.

Cecily had been going to the hall since she was a small child, and to her it was the most beautiful place in the world. She knew every inch of it, as did her father, Walter Swann. Her father was valet to the earl, just as his father had been before him, and his great-uncle Henry before that.

The Swanns of Little Skell village had been working at the big house for over 160 years, generations of them, ever since the days of the first earl in the eighteenth century. The two families were closely intertwined and bound together, and the Swanns had many privileges, and were exceedingly loyal to the Inghams. Walter always said he'd take a bullet for the earl, and meant it sincerely.

Hurrying along, preoccupied with her thoughts, Cecily was suddenly startled and stopped abruptly. A figure had jumped out onto the path in front of her, giving her a shock. Then she saw at once that it was the young gypsy woman called Genevra, who often lurked around these parts.

The Romany stood in the middle of the path, grinning hugely, her hands on her hips, her dark eyes sparkling.

"You shouldn't have done that!" Cecily exclaimed, stepping sideways swiftly. "You startled me. Where did you spring from, Genevra?"

"Yonder," the gypsy answered, waving her arm toward the long meadow. "I see yer coming, liddle Cecily. I wus behind t'wall."

"I have to get on. I don't want to be late," Cecily said in a cool, dismissive voice. She endeavored to step around the young woman without success.

The gypsy dodged about, blocked her way, muttering, "Aye. Yer bound for that owld 'ouse up yonder. Gimme yer 'and and I'll tell yer fortune."

"I can't cross your palm with silver, I don't even have a ha'penny," Cecily said.

"I doan want yer money, and I've no need to see yer 'and, I knows all about yer."

Cecily frowned. "I don't understand ..." She let her voice drift off, impatient to be on her way, not wanting to waste any more time with the gypsy.

Genevra was silent, but she threw Cecily a curious look, then turned, stared up at Cavendon. Its many windows were glittering and the pale stone walls shone like polished marble in the clear northern light on this bright May morning. In fact, the entire house appeared to have a sheen.

The Romany knew this was an illusion created by the sunlight. Still, Cavendon did have a special aura about it. She had always been aware of that. For a moment she remained standing perfectly still, lost in thought, still gazing at Cavendon ... she had the gift, the gift of sight. And she saw the future. Not wanting to be burdened with this sudden knowledge, she closed her eyes, shutting it all out.

Eventually the gypsy swung back to face Cecily, blinking in the light. She stared at the twelve-year-old for the longest moment, her eyes narrowing, her expression serious.

Cecily was acutely aware of the gypsy's fixed scrutiny, and said, "Why are you looking at me like that? What's the matter?"

"Nowt," the gypsy muttered. "Nowt's wrong, liddle Cecily." Genevra bent down, picked up a long twig, began to scratch in the dirt. She drew a square, and then above the square she made the shape of a bird, then glanced at Cecily pointedly.

"What do they mean?" the child asked.

"Nowt." Genevra threw the twig down, her black eyes soulful. And in a flash, her strange, enigmatic mood vanished. She began to laugh, and danced across toward the drystone wall.

Placing both hands on the wall, she threw her legs up in the air, cartwheeled over the wall, and landed on her feet in the field.

After she had adjusted the red bandana tied around her dark curls, she skipped down the long meadow and disappeared behind a copse of trees. Her laughter echoed across the stillness of the fields, even though now she was no longer in sight.

Cecily shook her head, baffled by the gypsy's odd behavior, and bit her lip. Then she quickly scuffled her feet in the dirt, obliterating the gypsy's symbols, and continued up the slope.

"She's always been strange," Cecily muttered under her breath as she walked on. She knew that Genevra lived with her family in one of the two painted Romany wagons which stood on the far side of the bluebell woods, way beyond the long meadow. She also knew that the Romany tribe was not trespassing.

It was the Earl of Mowbray's land where they were camped, and he had given them permission to stay there in the warm weather. They always vanished in the winter months; where they went nobody knew.

The Romany family had been coming to Cavendon for a long time. It was Miles who had told her that. He was the earl's second son, had confided that he didn't know why his father was so nice to the gypsies. Miles was fourteen; he and his sister DeLacy were Cecily's best friends.

* * *

The dirt path through the fields led directly from Little Skell village to the backyard of Cavendon Hall. Cecily was running across the cobblestones of the yard when the clock in the stable block tower began to strike the hour. It was exactly ten o'clock and she was not late.

Cook's cheerful Yorkshire voice was echoing through the back door as Cecily stood for a moment catching her breath, and listening.

"Don't stand there gawping like a sucking duck, Polly," Cook was exclaiming to the kitchen maid. "And for goodness' sake, push the metal spoon into the flour jar before you add the lid. Otherwise we're bound to get weevils in the flour!"

"Yes, Cook," Polly muttered.

Cecily smiled to herself. She knew the reprimand didn't mean much. Her father said Cook's bark was worse than her bite, and this was true. Cook was a good soul, motherly at heart.

Turning the doorknob, Cecily went into the kitchen, to be greeted by great wafts of steam, warm air, and the most delicious smells emanating from the bubbling pans. Cook was already preparing lunch for the family.

Swinging around at the sound of the door opening, Cook smiled broadly when she saw Cecily entering her domain. "Hello, luv," she said in a welcoming way. Everyone knew that Cecily was her favorite; she made no bones about that.

"Good morning, Mrs. Jackson," Cecily answered, and glanced at the kitchen maid. "Hello, Polly."

Polly nodded, and retreated into a corner, as usual shy and awkward when addressed by Cecily.

"Mam sent me to help with the frocks for Lady Daphne," Cecily explained.

"Aye, I knows that. So go on then, luv, get along with yer. Lady DeLacy is waiting upstairs for yer. I understand she's going to be yer assistant." As she spoke Cook chuckled and winked at Cecily conspiratorially.

Cecily laughed. "Mam will be here about eleven."

The cook nodded. "Yer'll both be having lunch down here with us. And yer father. A special treat."

"That'll be nice, Mrs. Jackson." Cecily continued across the kitchen, heading for the back stairs that led to the upper floors of the great house.

Nell Jackson watched her go, her eyes narrowing slightly. The twelve-year-old girl was lovely. Suddenly, she saw in that innocent young face the woman she would become. A real beauty. And a true Swann. No mistaking where she came from, with those high cheekbones, ivory complexion, and the lavender eyes ... Pale, smoky, bluish-gray eyes. The Swann trademark. And then there was that abundant hair. Thick, luxuriant, russet brown shot through with reddish lights. She'll be the spitting image of Charlotte when she grows up, Cook thought, and sighed to herself. What a wasted life she'd had, Charlotte Swann. She could have gone far, no two ways about that. I hope the girl doesn't stay here, like her aunt did, Nell now thought, turning around, stirring one of her pots. Run, Cecily, run. Run for your life. And don't look back. Save yourself.

CHAPTER 2

The library at Cavendon was a beautifully proportioned room. It had two walls of high-soaring mahogany bookshelves, reaching up to meet a gilded coffered ceiling painted with flora and fauna in brilliant colors. A series of tall windows faced the long terrace which stretched the length of the house. At each end of the window wall were French doors.

Even though it was May, and a sunny day, there was a fire burning in the grate, as there usually was all year round. Charles Ingham, the Sixth Earl of Mowbray, was merely following the custom set by his grandfather and father before him. Both men had insisted on a fire in the room, whatever the weather. Charles fully understood why. The library was the coldest room at Cavendon, even in the summer months, and this was a peculiarity no one had ever been able to fathom.

This morning, as he came into the library and walked directly toward the fireplace, he noticed that a George Stubbs painting of a horse was slightly lopsided. He went over to straighten it. Then he picked up the poker and jabbed at the logs in the grate. Sparks flew upward, the logs crackled, and after jabbing hard at them once more, he returned the poker to the stand.

Charles stood for a moment in front of the fire, his hand resting on the mantelpiece, caught up in his thoughts. His wife, Felicity, had just left to visit her sister in Harrogate, and he wondered again why he had not insisted on accompanying her. Because she didn't want you to go, an internal voice reminded him. Accept that.

Felicity had taken their eldest daughter, Diedre, with her. "Anne will be more at ease, Charles. If you come, she will feel obliged to entertain you properly, and that will be an effort for her," Felicity had explained at breakfast.

He had given in to her, as he so often did these days. But then his wife always made sense. He sighed to himself, his thoughts focused on his sister-in-law. She had been ill for some time, and they had been worried about her; seemingly she had good news to impart today, and had invited her sister to lunch to share it.

Turning away from the fireplace, Charles walked across the Persian carpet, making for the antique Georgian partners desk, and sat down in the chair behind it.

Thoughts of Anne's illness lingered, and then he reminded himself how practical and down-to-earth Diedre was. This was reassuring. It suddenly struck him that at twenty, Diedre was probably the most sensible of his children. Guy, his heir, was twenty-two, and a relatively reliable young man, but unfortunately he had a wild streak which sometimes reared up. It worried Charles.

Miles, of course, was the brains in the family; he had something of an intellectual bent, even though he was only fourteen, and artistic. He never worried about Miles. He was true blue.

And then there were his other three daughters. Daphne, at seventeen, the great beauty of the family. A pure English rose, with looks to break any man's heart. He had grand ambitions for his Daphne. He would arrange a great marriage for her. A duke's son, nothing less.

Her sister DeLacy was the most fun, if he was truthful, quite a mischievous twelve-year-old. Charles was aware she had to grow up a bit, and unexpectedly a warm smile touched his mouth. DeLacy always managed to make him laugh, and entertained him with her comical antics. His last child, five-year-old Dulcie, was adorable, and, much to his astonishment, she was already a person in her own right, with a mind of her own.

Lucky, I've been lucky, he thought, reaching for the morning's post. Six lovely children, all of them quite extraordinary in their own way. I have been blessed, he reminded himself. Truly blessed with my wife and this admirable family we've created. I am the most fortunate of men.

As he shuffled through the post, one envelope in particular caught his eye. It was postmarked Zurich, Switzerland. Puzzled, he slit the envelope with a silver opener, and took out the letter.

When he glanced at the signature, Charles was taken aback. The letter had been written by his first cousin, Hugo Ingham Stanton. He hadn't heard from Hugo since he had left Cavendon at sixteen, although Hugo's father had told Charles his son had fared well in the world. He had often wondered about what had become of Hugo. No doubt he was about to find out now.

Zurich

April 26th, 1913
My dear Charles:

I am sure that you will be surprised to receive this letter from me after all these years. However, because I left Cavendon in the most peculiar circumstances, and at such odds with my mother, I decided it would be better if I cut all contact with the family at that time. Hence my long silence.

I did see my father until the day he died. No one else wrote to me in New York, and I therefore did not have the heart to put pen to paper. And so years have passed without contact.

I will not bore you with a long histoire of my life for the past sixteen years. Suffice it to say that I did well, and I was particularly lucky that Father sent me to his friend Benjamin Silver. I became an apprentice in Mr. Silver's real estate company in New York. He was a good man, and brilliant. He taught me everything there was to learn about the real estate business, and I might add, he taught me well.

I acquired invaluable knowledge, and, much to my own surprise, I was a success. When I was twenty-two I married Mr. Silver's daughter, Loretta. We had a very happy union for nine years, but sadly there were no children. Always fragile in health, Loretta died here in Zurich a year ago, much to my sorrow and distress. For the past year, since her passing, I have continued to live in Zurich. However, loneliness has finally overtaken me, and I have a longing to come back to the country of my birth. And so I have now made the decision to return to England.

I wish to reside in Yorkshire on a permanent basis. For this reason I would like to pay you a visit, and sincerely hope that you will receive me cordially at Cavendon. There are many things I wish to discuss with you, and most especially the property I own in Yorkshire.

I am planning to travel to London in June, where I shall take up residence at Claridge's Hotel. Hopefully I can visit you in July, on a date which is convenient to you.

I look forward to hearing from you in the not too distant future. With all good wishes to you and Felicity.

Sincerely, your Cousin, Hugo


Charles leaned back in the chair, still holding the letter in his hand. Finally, he placed it on the desk, and closed his eyes for a moment, thinking of Little Skell Manor, the house which had belonged to Hugo's mother, and which he now owned. No doubt Hugo wanted to take possession of it, which was his legal right.

A small groan escaped, and Charles opened his eyes and sat up in the chair. No use turning away from the worries flooding through him. The house was Hugo's property. The problem was that their aunt, Lady Gwendolyn Ingham Baildon, resided there, and at seventy-two years old she would dig her feet in if Hugo endeavored to turf her out.

The mere thought of his aunt and Hugo doing battle sent an icy chill running through Charles, and his mind began to race as he sought a solution to this difficult situation.


(Continues...)

Excerpted from Cavendon Hall by Barbara Taylor Bradford. Copyright © 2014 Beaji Enterprises, Inc.. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Booklist Reviews

The lives of the Ingham and Swann families have been intimately entwined for more than 160 years—the former as the royal owners of their estate home, Cavendon Hall; the latter as those who keep their masters' secrets. On the eve of WWI, there is a particularly dastardly secret to be protected: Lady Daphne, the most beautiful of Lord Ingham's four daughters, is raped by her closest friend's brother. Worse luck, the attack results in a pregnancy, thereby further dashing Daphne's chances of being married to an as-yet-unnamed duke. Salvation comes in the form of long-lost cousin Hugo, recently widowed and returning after a successful career in America to reclaim his Yorkshire roots. Luckily for all, Daphne and Hugo fall deeply in love, and their union further helps the Inghams and Swanns weather the tragedies to come when England goes to war. The popular and prolific Bradford knocks another fast-paced family saga out of the park with charming characters and manor-house mayhem. Copyright 2014 Booklist Reviews.

Library Journal Reviews

Perk up, Downton fans: the mega-best-selling Bradford, OBE, sets her next work in Edwardian England, where the Swanns have been serving the aristocratic Inghams for centuries. But with World War I comes change.

[Page 66]. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Library Journal Reviews

Bradford is no stranger to the family saga—her popular Harte series follows a wealthy English family through the 20th century—and this Edwardian-era drama follows the lives of the Inghams, masters of Cavendon Hall, and the Swanns, their servants. Glitz, glamour, and drama abound; parallels to Downton Abbey do, too.

[Page 46]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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