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Book
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Edition:
First Edition.
Publisher, Date:
New York : Alfred A. Knopf, 2014.
Description:
367 pages ; 25 cm
Summary:
"While she was writing columns for The Irish Times and her best-selling novels, Maeve Binchy also had in mind to write a book that revolved around one street with many characters coming and going. Every once in a while, she would write about one these people. She would then put it in a drawer. "For the future," she would say. The future is now. Just around the corner from St. Jarlath's Crescent (which readers will recognize from Minding Frankie) is Chestnut Street, where neighbors come and go. Behind their closed doors we encounter very different people with different life circumstances, occupations, and sensibilities. Written with the humor and understanding that are earmarks of Maeve Binchy's work, it is a pleasure to be part of this world with all of its joys and sorrows, to get to know the good and the bad, and ultimately to have our hearts warmed by her storytelling"-- Provided by publisher.
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LCCN:
2013041009
ISBN:
9780385351850 (hbk.)
0385351852 (hbk.)
9780804170086 (trade paperback)
0804170088 (trade paperback)
Other Number:
849198860
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"While she was writing columns for The Irish Times and her best-selling novels, Maeve Binchy also had in mind to write a book that revolved around one street with many characters coming and going. Every once in a while, she would write about one these people. She would then put it in a drawer. "For the future," she would say. The future is now. Just around the corner from St. Jarlath's Crescent (which readers will recognize from Minding Frankie) is Chestnut Street, where neighbors come and go. Behind their closed doors we encounter very different people with different life circumstances, occupations, and sensibilities. Written with the humor and understanding that are earmarks of Maeve Binchy's work, it is a pleasure to be part of this world with all ofits joys and sorrows, to get to know the good and the bad, and ultimately to have our hearts warmed by her storytelling"-- - (Baker & Taylor)

A story written in stages throughout the author's career traces the experiences of diverse characters who come and go from Chestnut Street. - (Baker & Taylor)

A story written in stages throughout the best-selling author's career traces the experiences of diverse characters who revolve around Chestnut Street. By the author of Tara Road. 200,000 first printing. - (Baker & Taylor)

Maeve Binchy imagined a street in Dublin with many characters coming and going, and every once in a while she would write about one of these people. She would then put it in a drawer; “for the future,” she would say.The future is now.

Across town from St. Jarlath’s Crescent, featured in Minding Frankie, is Chestnut Street, where neighbors come and go. Behind their closed doors we encounter very different people with different life circumstances, occupations, and sensibilities. Some of the unforgettable characters lovingly brought to life by Binchy are Bucket Maguire, the window cleaner, who must do more than he bargained for to protect his son; Nessa Byrne, whose aunt visits from America every summer and turns the house—and Nessa’s world—upside down; Lilian, the generous girl with the big heart and a fiancé whom no one approves of; Melly, whose gossip about the neighbors helps Madame Magic, a self-styled fortune-teller, get everyone on the right track; Dolly, who discovers more about her perfect mother than she ever wanted to know; and Molly, who learns the cure for sleeplessness from her pen pal from Chicago . . .

Chestnut Street is written with the humor and understanding that are earmarks of Maeve Binchy’s extraordinary work and, once again, she warms our hearts with her storytelling. - (Random House, Inc.)

Author Biography

Maeve Binchy is the author of numerous best-selling books, including her most recent novels,A Week in Winter, Minding Frankie, Heart and Soul, and Whitethorn Woods, as well asCircle of Friends and Tara Road, which was an Oprah’s Book Club selection. Married to Gordon Snell, she lived in Dalkey, Ireland, until her death in July 2012. - (Random House, Inc.)

First Chapter or Excerpt

Chestnut Street


By Maeve Binchy

Random House LLC

Copyright © 2014 Maeve Binchy
All rights reserved.
ISBN: 978-0-385-35185-0


CHAPTER 1

Dolly's Mother


* * *

It was all the harder because her mother had been so beautiful. If only Dolly's mother had been a round, bunlike woman, or a small wrinkled person, it might have been easier for Dolly, this business of growing up. But no, there were no consolations on that score. Mother was tall and willowy and had a smile that made other people smile too and a laugh that caused strangers to look up with pleasure. Mother always knew what to say and said it; Mother wore long lilac silk scarves so elegantly they seemed to flow with her when she walked. If Dolly tried to wear a scarf, either it looked like a bandage or else she got mistaken for a football fan. If you were square and solid and without color or grace, it was sometimes easy to hate Mother.

But only for a moment, and not real hate. Nobody could hate Mother, and certainly not the dumpy daughter that Mother treated like a princess. She always spoke of Dolly's fine points. Her lovely deep-green eyes. People will get lost in those eyes, Mother had said. Dolly doubted it—there was precious little sign of anyone looking into them for long enough to realize that they were green, let alone run the risk of sinking hopelessly into their depths. Mother always called on Father to admire Dolly's wonderful texture of hair. "Look," Mother would say excitedly. "Look at how thick it is and how healthy it is; we may well see the shampoo companies begging Doll to do advertisements for them." Father would look obediently and with some mild surprise as if he had been called to see a kingfisher that had just disappeared. He would nod eagerly to please his wife and daughter. Oh, yes, he would agree. A fine shock of hair, all right, no molting there.

Dolly would examine her dull brown hair without pleasure. The only thing to be said in its favor was that there was a lot of it. And that was what Mother had unerringly been able to identify and fasten on in her extravagant compliments.

All the girls at school loved Dolly's mother—she was so friendly they said, so interested in them. She remembered all their names. They loved coming round to the house on Chestnut Street on Saturday afternoons. Dolly's mother used to let them play with her old makeup. Ends of lipsticks, little, nearly empty pots of eye shadow, compacts almost worn away by dabbing. There was a big mirror with a good light where they could practice; all Dolly's mother insisted was that every trace of it be removed with cold cream and tissues before they went home. She managed to make them believe that this was what kept the skin healthy and fresh, and Dolly's friends enjoyed the cleansing almost as much as they had liked the painting of their young faces.

Dolly's friends. Were they really friends, she often wondered, or did they just like her because of Mother? At school they didn't make much of her. After class Dolly often sat alone while others went off arm in arm. She was never the center of any laughing crowd in the playground, nobody chose her to go shopping after school, she was usually one of the last to be picked for any team. Even poor Olive, who was fat and had thick, whirly round spectacles, often got picked before Dolly. If it hadn't been for Mother she might have sunk without trace in that school. She should be very, very grateful that, unlike almost everyone else around her, she had a parent who was universally approved and liked. She should be grateful, and she usually was. She was happiest playing with her cat.

Mother always baked a funny cake for the sale of work, not a big showy one that would embarrass you or a little mean one that would make you feel ashamed, but like the one covered in Smarties, or the one with nasturtium flowers on it and a cutting from a newspaper saying that they were safe to eat. Mother had lent marvelous things for the school play and hadn't complained when they got torn. Mother had asked Miss Power for the knitting pattern of her cardigan, and then had actually gone and knitted the thing, telling Miss Power that she had chosen a different color in case they looked like identical twins. Poor Miss Power, plain as a pikestaff and not willowy and lovely like Mother, had pinked with pleasure and had become nearer to human than any of them had ever seen her.

For Dolly's sixteenth birthday, Mother was making a marvelous production. And every step of the way she consulted her daughter.

"Now, you must tell me what you'd like and what the other girls do. There's nothing so silly as a mother getting it all wrong, and taking you to the pictures and McDonald's when that's far too young for you."

"You'd never get it wrong, Mother," Dolly said in a dead sort of voice.

"But of course I would, darling Doll. I'm a hundred years older than you and all your friends. I have ideas from the last century. That's why I'm relying on you to say what you want."

"You aren't a hundred years older than us." Dolly's tone was level. "You were twenty-three when I was born; you're not forty yet."

"Oh, but soon will be." Mother sighed and looked at her perfect face in the mirror. "Soon a wizened, stooped, eccentric old forty-year-old." She pealed with laughter and Dolly laughed too. The notion was so ridiculous.

"What did you do when you were sixteen?" Dolly asked, trying to put off the moment when she would have to say she didn't know how to stage the celebration, and was dreading it in any form.

"Oh, love, that was so long ago. And it was a Friday, so we all did what everyone did then—we watched Ready, Steady, Go! on the television, and we had sausages and a birthday cake and we played all the Beatles on my record player. And then we went to a coffee bar and drank cups of frothy coffee and giggled and everyone went home on the bus."

"It sounds lovely," Dolly said wistfully.

"Well, it was the Dark Ages," Mother admitted ruefully. "Nowadays things are much more advanced. I suppose you'll all want to go to a disco? What did the others do? Jenny's sixteen, Mary must be sixteen, Judy?" Mother looked at her brightly, listing the names of Dolly's friends, alert and interested. Caring that her daughter should not be left out of whatever was the scene.

"I think Jenny just went out to the pictures," Dolly said.

"Of course she had Nick—that's right." Dolly's mother nodded sagely. She was the confidante of all the girls.

"I don't know what Judy did." Dolly was mulish.

"But you must, darling. She's your friend."

"I still don't know."

Mother's face softened visibly. Dolly could see a change of approach. The note was soothing now. "Of course, of course, and let's not forget she may have done nothing at all. Or just had a family gathering. No, there's no reason why you should know."

Dolly felt worse than ever now. She was revealed to Mother as a person whose friends had celebrations without her, but as someone so pathetic that she had to give some kind of cringe-making party herself so as to buy their friendship. Dolly's heart was heavy. She knew her face looked heavy and sad as well. She wished she could smile for this bright and lovely mother who was trying to help her, who had always been there supporting and suggesting and admiring. But the smile wouldn't come to her face.

Mother would have every reason to play the martyr, to feel that her daughter was monstrously ungrateful. But Mother never behaved like that. Judy's mother was constantly saying that daughters were a scourge to the flesh and a torment to the soul. Jenny's mother was like a Special Branch officer, so suspicious was she of even the most innocent activities. Mary's mother looked like a medieval painting of a mourning Madonna; she seemed stooped under the weight of her responsibility for a teenage girl. Only Dolly's mother was full of hope and plans and enthusiasm. Wasn't it bad luck that when the cards were being given out she had been dealt dull old Dolly instead of someone more colorful and lively who could respond.

"Why are you so nice to me, Mother?" Dolly asked seriously. She really and truly wanted to know.

Mother's face showed hardly any surprise at the question. She answered it as cheerfully and with the same kind of smile that greeted almost everything.

"I'm not being nice, darling, I'm being ordinary ... but it's your sixteenth birthday and that should be a happy day, something you'll remember ... even if it's silly, like mine was. At least I remember it, and all our idiotic clothes and hairstyles. That's what I want you to have, a happy day."

Dolly thought for a moment. Every single one of the girls who had been to their house had praised Mother. They had all said she was like a marvelous big sister—you could tell her anything, she always understood.

"Mother, don't bother. Honestly. It won't be a happy day. There aren't any happy days. Honestly. Days just aren't happy like they were for you, like they are for you. I'm not complaining. It's just the way it is."

She willed her eyes not to fill with tears, she prayed for some understanding to come on her mother's face. What came was a look of great concern, but Dolly knew that it wasn't real understanding. It was just more of the same. Like it had always been.

Mother's words washed over her, reassurance, everyone feeling down when they were fifteen, being neither old nor young, more reassurances, soon everything would look rosy again, Dolly's beautiful green eyes would shine again, her lovely thick, shiny hair would fly about her as she raced off, full of excitement about life and all the adventures it held.... Dolly sat there glumly as her mother stroked her hand.

She looked down at Mother's long, thin white fingers with their perfect, long shell-pink nails, she saw Mother's rings, not very huge in themselves but making Mother's little hand seem still frailer by having to bear them. The hand stroked Dolly's square hands, with their bitten nails, their ink stains and the scratches from the blackberry bush.

Dolly knew that the fault was hers, Mother was so good; it was Dolly who was rotten. Rotten and ungiving to her core. Right to the base of her hard, square, unattractive heart.

Father often looked melancholy, Dolly thought, a little stooped and tired as he walked up the hill from the railway station carrying his briefcase, but as soon as he saw Mother he cheered up. She might wave to him from an upstairs window and then run lightly down the stairs to embrace him when he came in the door. She didn't peck at him; she threw both her arms around him and encircled him, briefcase, overcoat, evening paper and all. Or else she might be in the kitchen, where she would drop everything and run to him. Dolly saw how pleased and even slightly surprised he was each time. He was not given to such spontaneous gestures himself, but he responded like a flower opening to the sun. The worried look of the commuter tired after a day's work disappeared. Mother never laid any problems on him the moment he arrived. If there had been a burst pipe he heard about it later. Much later.

And so, as Dolly knew would happen, the subject of the sixteenth birthday was raised as an excitement, not a problem. Mother's eyes shone with the excitement of it. A girl turning sixteen—it was a symbol, a landmark, a milestone. It had to be marked. What would they do to make the day marvelous for Dolly?

Dolly saw Father's face become tender. Father too must know of other households where the mothers were not as Mother was here. Where there was strife about children having any kind of party. How blessed he was to have the single exception, to have married the only woman in the world who positively relished a celebration for teenage girls.

"Well, now." He beamed. "You're a lucky girl and there's no doubt about that, Dolly. Well, well, a sixteenth party no less."

"I don't mind if we can't afford it," Dolly began.

"Of course we can afford it. What else do we work for, your mother and I, except to be able to afford the odd little treat like this."

Again, Dolly found herself guiltily wondering, Could this possibly be true? Did Father go out that long journey to the faceless office and come back tired every evening so that he could afford birthday parties? Surely not. And Mother, who went to work mornings in a big florist shop, was it all for a nest egg so that they could have these kinds of treats? Dolly had always thought Mother liked being among the beautiful flowers, and having lunch with her friends there and getting tired flowers to take home, where they often came to life again. She thought that Father went to work because it was what men did. They stayed in the office and dealt with files. She realized she must be very stupid about a lot of things. No wonder she couldn't have these great conversations with people, like Mother did. Only the other day she had heard Mother talking to the postman about happiness. Imagine talking about something as huge as happiness to a man who came to deliver the letters. And he had seemed very interested and said that not enough people ever took those kind of things into consideration.

"Mother, I'm bad at knowing what people like and what they want. You are very good at it. What do you think my friends would like?"

Dolly felt about as low as she had ever felt. And who in the world would have an ounce of sympathy for her? A spoiled brat, is what they would say she was. A girl who was being offered everything and could accept nothing. Mother didn't know any of these thoughts. She was too busy being helpful. "What about a lunch?" she said suddenly.

"A Saturday lunch at the Grand Hotel—you could all dress up and you could have one bottle of wine between all of you, if you have lots and lots of mineral water.... You could order from the menu ... choose what you like.... How about that?"

It had definite possibilities. It was so utterly different.

"Would you come with us?" Dolly asked.

"Nonsense, darling, your friends wouldn't want an old fogy like me ..."

"Please, Mother," Dolly begged.

Mother said that since she would be working on Saturday, well she could wear a silly hat and just drop in and join them for a drink ... or whatever.

Dolly's friends thought it was a great idea. Jenny said she would wear her new outfit and it would make Nick sick as a parrot to know she had been lunching at the Grand. Mary said she'd go and grab a look at the menu so they'd know what to order. Judy said there might be film scouts there or men who ran model agencies. They said Dolly's mother was a genius to have thought of it.

"How is it that your mother is so fabulous?" Jenny asked with interest.

"Meaning that I'm not," Dolly said.

"Oh, don't be so boring, Dolly," Jenny and Mary said together, walking away from her, and Dolly sat in the classroom wishing the world would end. Suddenly and in a big splash of sunset. There seemed to be no point in living in a place where it seemed like a good idea for your parents to pay huge money to take people out to lunch, people who accused you to your face of being boring. Miss Power came in and found her sitting there.

"Stop slouching, Dolly. Go out and get some fresh air, get some color in your cheeks, and, for heavens sake, don't come to school with a torn tunic and a ripped jumper. You can be sure your mother was never like that when she was your age."

"No, I'd say she was perfect then too." Dolly's voice was sour and hurt. The teacher looked after her and shook her head in disappointment.

Mother had arranged a hairdo at Lilian's and a manicure for the Saturday morning of the birthday lunch. Dolly hadn't wanted it, any more than she had wanted the voucher for the new outfit.

"It will be a disappointment, Mother," she had said. "Everything is."

Had Mother's eyes grown a little steely or did she imagine it?

"Shall I choose something for you to wear, then?" Mother had said. And of course she had found a lovely green exactly the color of Dolly's eyes, she had said, and it did fit, and the other girls loved it; they were being polite to her today, of course, because she was getting them taken to the Grand Hotel, Dolly realized. But still they did seem to think that she looked well. And her hair was shiny and her nails, though short, were pink and neat, and the girl had given her a thing to paint on that meant you couldn't bite them anymore.

The hotel manager had welcomed them warmly; the booking had been made in Dolly's name.

"And your lovely mother will be joining you later," he had said.

"Yes, she's working, you see," Dolly explained.

"Working?"

"In the flower shop," Dolly explained.

For some reason he found this amusing. He smiled and then quickly reassured her. "Of course she is. Wonderful woman, your mother. We see her from time to time here. Not often enough."


(Continues...)

Excerpted from Chestnut Street by Maeve Binchy. Copyright © 2014 Maeve Binchy. Excerpted by permission of Random House LLC, a division of Random House, Inc.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Booklist Reviews

Binchy was well-known for creating realistic characters who interact in ordinary ways, in ordinary places. Before her death, in 2012, she had been jotting down short stories here and there featuring a number of different characters who all lived on the same Dublin street, Chestnut Street. This collection was gathered by her editors and approved by her family for publication. Readers meet plain Dolly, who wants to be just like her glamorous mother; Joyce, a model who gets her comeuppance on a blind date with an obese man; and Kevin Walsh, the taxi driver who keeps strangers' secrets. Many of the stories are quite brief (as short as three pages) but serve as lovely character portraits. There is no common plotline moving the stories along, and some stories are stronger than others, but, overall, the collection works well, and her fans will be pleased.HIGH-DEMAND BACKSTORY: Binchy's many fans are sure to line up to read this collection of short stories, especially since they know there will be no more. Copyright 2014 Booklist Reviews.

Library Journal Reviews

Binchy wrote these previously unpublished linked short stories while producing her big novels and Irish Times columns, hoping someday to put together a book based on the comings and goings on a single street. Now they are being published posthumously. Also published posthumously, Binchy's A Week in Winter stayed on the New York Times best sellers list for 12 weeks, reflecting her undiminished popularity.

[Page 63]. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Library Journal Reviews

A daughter jealous of her beautiful mother, an estranged and sickly uncle, a teacher tired of solving everyone else's problems, and three women who take a leap of faith by moving in with one another are only a few of the residents of Chestnut Street. This posthumous publication (the author died in 2012) offers a series of vignettes that celebrate the triumphs and sorrows that take place on a modest residential Dublin street. Although this book contains Binchy's trademark writing style, it suffers from an unfortunate lack of substance. Many of the scenes feel incomplete, with Chestnut Street serving as a tenuous link among tales that don't even take place simultaneously. With little to tie the narratives together and a lack of consistency with the characters, it is difficult to develop emotional attachment to any of the street's residents. VERDICT Some readers will be happy to have one more volume from the popular Binchy, but those looking for another Quentins or Tara Road will undoubtedly be disappointed. [See Prepub Alert, 11/15/13.]—Vicki Briner, Westminster, CO

[Page 108]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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