New York : Tor, 2014.
333 pages ; 22 cm
"All is not well aboard the U-Star Coast City. The station's reclusive Commandant is nowhere to be seen, leaving Captain Abraham Idaho Cleveland to deal with a hostile crew on his own. Persistent malfunctions plague the station's systems while interference from a toxic purple star makes even ordinary communications problematic. Alien shadows and whispers seem to haunt the lonely corridors and airlocks, fraying the nerves of everyone aboard. Isolated and friendless, Cleveland reaches out to the universe via an old-fashioned space radio, only to tune in to a strange, enigmatic signal: a woman's voice that seems to echo across a thousand light-years of space. But is the transmission just a random bit of static from the past--or a warning of an undying menace beyond mortal comprehension?" -- from publisher's web site.
"A Tom Doherty Associates Book."
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Relegated to a Fleetspace station after saving an Earth of the distant future, Captain Abraham Idaho Cleveland navigates hostile workers and persistent malfunctions before receiving a mysterious warning from thousands of light-years away. By the award-winning author of Empire State. 20,000 first printing. - (Baker & Taylor)
Relegated to a Fleetspace station after saving an Earth of the distant future, Captain Abraham Idaho Cleveland navigates hostile workers and persistent malfunctions before receiving a mysterious warning from thousands of light-years away. - (Baker & Taylor)
Adam Christopher's dazzling first novel, Empire State, was named the Best Book of 2012 by SciFi Now magazine. Now he explores new dimensions of time and space in The Burning Dark.
Back in the day, Captain Abraham Idaho Cleveland had led the Fleet into battle against an implacable machine intelligence capable of devouring entire worlds. But after saving a planet, and getting a bum robot knee in the process, he finds himself relegated to one of the most remote backwaters in Fleetspace to oversee the decommissioning of a semi-deserted space station well past its use-by date.
But all is not well aboard the U-Star Coast City. The station's reclusive Commandant is nowhere to be seen, leaving Cleveland to deal with a hostile crew on his own. Persistent malfunctions plague the station's systems while interference from a toxic purple star makes even ordinary communications problematic. Alien shadows and whispers seem to haunt the lonely corridors and airlocks, fraying the nerves of everyone aboard.
Isolated and friendless, Cleveland reaches out to the universe via an old-fashioned space radio, only to tune in to a strange, enigmatic signal: a woman's voice that seems to echo across a thousand light-years of space. But is the transmission just a random bit of static from the past—or a warning of an undying menace beyond mortal comprehension?
"Builds tension expertly. Claustrophobic in mood but with the scope of great space opera, this is SF you will want to read with the light on."—Library Journal, starred review, on The Burning Dark - (McMillan Palgrave)
First Chapter or Excerpt
By Adam Christopher
Tom Doherty Associates
Copyright © 2014 Adam Christopher
All rights reserved.
“You ever seen a chick from Polaris? I mean, holy schnikes. You need level-ten protective eyewear just to look at them. Naw, seriously, they radiate UV when they get turned on. Some kinda survival mechanism. So yeah, it’s risky and you need to prebook yourself ten weeks in a class-three ICU afterwards to get your DNA rebuilt, but man, what a rush. What a goddamn rush. There was this one time—”
Ida flicked the volume of the radio set down by half. It was Clive’s Friday night. Let him have it.
Clive was a pilot orbiting a lump of ice near Polaris. In a few hours he was due to break cover from behind his asteroid and spearhead a lightning strike on the hidden Omoto base on Polarii Inferior. Chances were this time tomorrow Clive would be a patch of brown radioactive dust drifting in the Polarii solar wind, the residue of his beloved Polarii women with him. Because no matter what the outcome of the attack—be it Fleet victory or a successful defense by the Omoto—there wasn’t going to be any sentient life left on the planet afterwards.
So, let him command the air awhile. Ida felt bad and hoped Clive made it, but he wondered if perhaps he should stay off the radio in the next cycle or so, busy himself with those damn checklists he’d let slide. As boring as Clive was, he wasn’t sure it would be the same without him, and he wasn’t sure he wanted to hear about the outcome of the Omoto sortie, good or bad.
It was a waste, one that Ida objected to. Strategically important but ultimately futile. The universe was a big place and maybe the Omoto could keep their base. The Omoto weren’t even the Spiders, and wasn’t the Fleet supposed to be fighting those mechanical creeps instead of starting little wars over lumps of ice? Given how the war was going, Ida wondered if maybe the Fleet wasn’t focusing on the right thing sometimes.
A little interference on the line was obscuring select moments of Clive’s monologue.
Ida flicked through a set of diagnostic routines on the space radio’s three-dimensional interface. What was a hobby for, if not to present a series of tiny challenges that needed to be overcome, one by one? Talking to others out in space was only half of it.
The white noise of interference spiked. Ida leaned his chair back to the upright and cast an eye over one of the screens that hung on an arm over the desk. It wasn’t part of the radio set, it was just a display from his cabin’s computer, but he’d patched it into the solar observatory located at the very top of the station’s spire. He found the data useful. It had been ten cycles since Ida first turned the radio on, and he’d quickly discovered that the physics of Shadow frequently threw a spanner in the works. And tonight it was no different.
But he had to admit it was really quite a fascinating academic study on the interaction between the star’s strange light and the station’s own artificial magnetosphere. As the amber glow of data flowed across the screen, he noted a few spikes of stellar activity that corresponded to the static on the set. He could try to retune, or perhaps, given an hour, come up with an algorithm to work the mess out of his signal. Ida poked at the screen, the amber of its data tables and the blue light of the radio the only illumination in the cabin.
Clive kept talking. Castle, a civilian mining engineer whose job supervising the construction of a drill head on one of the moons of Arbitri clearly left too much free time on his hands, butted in occasionally to express his satisfaction with the juicier aspects of Clive’s adventures in Polarii love and to ask respectfully for more technical data on the difficulties of human–Polarii anatomical interaction. A newcomer too, calling himself Captain Midnight—Ida wasn’t sure whether this was his rank and name or some kind of superhero identity—seemed to be enjoying the chat. Ida didn’t quite believe he was calling from inside a black hole, but, hey, the radio hams of the galaxy were a bunch of sad, lonely losers with nothing better to do. If Captain Midnight wanted to be inside a black hole, then let him be inside a black hole. On the radio you could be anyone and anywhere you liked.
Ida wondered whether he should tell them about his adventures over the skies of Tau Retore, and whether he’d get a better reception here than among the jarheads that inhabited the Coast City.
DeJohn had been quite right about Fleet service being an honor. In the middle of a difficult, decades-long war against an alien machine intelligence, a citizen could do no greater service for humanity than enlist in the Fleet. And Ida knew full well how he would feel if he came across someone claiming a heroic action that they had no right to.
But was he really so far out on the edge of Fleetspace that the news about Tau Retore hadn’t made it? He’d saved a planet and seen off a whole Spider cluster—including a Mother Spider. Why else did they think he’d been awarded with the Fleet Medal?
And, he thought, an artificial knee, an enforced honorable retirement, and a final posting to one of the most remote backwaters in Fleetspace. To oversee the decommissioning of an unremarkable space station well past its use-by date.
Ida absently flexed his robot knee, which had grown stiff as he sat at the desk.
He sat and thought.
Something was well and truly FUBAR, and not just on the Coast City, but at Fleet Command itself.
Something that, maybe, he should look into.
Copyright © 2014 by Seven Wonders Limited
Excerpted from Burning Dark by Adam Christopher. Copyright © 2014 Adam Christopher. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Large Cover Image
About a thousand years from now, a heroic spaceship captain (he once saved an entire planet from destruction) is given a discouragingly less-than-spectacular assignment: he's in charge of the demolition of an old space station in a remote star system. Captain Abraham Idaho Cleveland—he goes by Ida—finds himself ostracized by his fellow crew members, who frankly don't believe his stories of planet-saving heroism, which aren't supported by official Fleet records. When Ida builds a space radio, taps into the subspace frequency, makes contact with an astronaut who died a millennium ago, and discovers some seriously troubling goings-on aboard the mostly deserted space station, well, nobody believes him about any of that, either. Like water turning to ice and then to steam, this novel changes its properties several times. It begins as a fairly straightforward sf yarn, shifts gears and becomes the story of a persecuted (and possibly delusional) man alone among a shipful of unbelievers, and then plunges full-tilt deep into horror territory. An exciting new novel from an exciting new voice in sf. Copyright 2014 Booklist Reviews.
Library Journal Reviews
As his last assignment with the Fleet, Capt. Idaho Cleveland heads to the U-Star Coast City to assist with the space station's decommissioning. Put in place as a science station around an unusual star known as Shadow, the Coast City also served as a defensive outpost against an implacable and technologically superior enemy known as the Spiders. From Cleveland's arrival it's obvious that things are not quite right on the station and the strange purple light from Shadow seems to be making the skeleton crew aggressive and paranoid. Isolated, resented, and bored, Cleveland builds a radio that somehow picks up a signal from across time and space that might be a message—or a warning. VERDICT This dark and chilling novel from the versatile Christopher (Seven Wonders; Hang Wire) builds tension expertly. Claustrophobic in mood but with the scope of great space opera, this is sf you will want to read with the light on. Although the ending arrives quickly, this is apparently the first book in a new series exploring more of the world of the Fleet and the Spiders.
[Page 100]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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