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A young music prodigy goes missing from a hotel room that was the site of an infamous murder-suicide 15 years earlier, renewing trauma for a bridesmaid who witnessed the first crime and rallying an eccentric cast of characters during a snowstorm that traps everyone on the grounds. 30,000 first printing. - (Baker & Taylor)
A young music prodigy goes missing from a hotel room that was the site of an infamous murder-suicide fifteen years earlier, renewing trauma for a bridesmaid who witnessed the first crime and rallying an eccentric cast of characters during a snowstorm that traps everyone on the grounds. - (Baker & Taylor)
"For its darkness and its glee, I loved this novel." —Robin Sloan, author of Mr. Penumbra’s 24-Hour BookstoreA high school music festival goes awry when a young prodigy disappears from the most infamous room in the Bellweather Hotel, in a whip-smart novel sparkling with dark and giddy humorFifteen years ago, a murder-suicide in room 712 rocked the grand old Bellweather Hotel and the young bridesmaid who witnessed it, Minnie Graves. Now hundreds of high school musicians, including quiet bassoonist Rabbit Hatmaker and his brassy diva twin, Alice, have gathered in its cavernous, crumbling halls for the annual Statewide festival; Minnie has returned to face her demons; and a colossal snowstorm is threatening to trap them all in the hotel. Then Alice's roommate goes missing—from room 712. The search for her entwines an eccentric cast of characters: conductors and caretakers, failures and stars, teenagers on the verge and adults trapped in memories. For everyone has come to the Bellweather with a secret, and everyone is haunted.Bellweather Rhapsody is a genre-bending page-turner, full of knowing nods to pop culture classics from The Shining to Agatha Christie to Glee. But its pleasures are beautifully deepened by Kate Racculia's skill with her characters, her melancholy, affecting writing about music, and her fearlessness about the loss and darkness that underline the truest humor. This is a wholly winning new novel from a writer to watch.
"For its darkness and its glee, I loved this novel." —Robin Sloan, author of Mr. Penumbra’s 24-Hour Bookstore A high school music festival goes awry when a young prodigy disappears from a hotel room that was the site of a famous murder/suicide fifteen years earlier, in a whip-smart novel sparkling with the dark and giddy pop culture pleasures of The Shining, Agatha Christie, and Glee - (Houghton)
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“Bellweather Rhapsody is funny and exuberant, twisty and captivating. Racculia tells the truth here, about art and life and the many trajectories that talent can take. She’s also written the most resonant descriptions of music—how it really works in the head and the heart—that I’ve ever read. For its darkness and its glee, I love this novel.” — Robin Sloan, author of Mr. Penumbra’s 24-Hour Bookstore
“This rich brew of a novel mixes together murder, music, and eccentric humor. In 1982, in Clinton’s Kill, N.Y., a new bride murdered her husband, then killed herself, shortly after checking into room 712 of the Bellweather Hotel. In 1997, high school drama queen Alice Hatmaker checks into the same room to perform at the Statewide music festival, along with her talented twin brother, Rabbit. Alice’s roommate is virtuoso flautist Jill Faccelli, whose overbearing mother runs the festival. As a snowstorm looms, Alice finds Jill hanged in one of the rooms. But when she returns with help, the body is missing, replaced by a note reading, NOW SHE IS MINE . . . Racculia thus sets the stage for a novel of dueling wills, marked by textured characterization and an ebullient storytelling style.” — Publishers Weekly, starred review
“Witty and smartly moving, Kate Racculia’s Bellweather Rhapsody offers a heart-thumping mystery of music and murder, wherein the past repeats itself, and in doing so becomes malleable again: just as an orchestral score can be rearranged to new effect, so an unsolved crime sometimes returns to shock and surprise anew—and in both cases the outcomes are as unpredictable as they are suspenseful.” — Matt Bell, author of In the House upon the Dirt Between the Lake and the Woods
A high school music festival goes awry when a young prodigy disappears from the most infamous room in the Bellweather Hotel, in a whip-smart novel sparkling with dark and giddy humor.
Fifteen years ago, a murder-suicide in room 712 rocked the grand old Bellweather Hotel and the young bridesmaid who witnessed it, Minnie Graves. Now hundreds of high school musicians, including quiet bassoonist Rabbit Hatmaker and his brassy diva twin, Alice, have gathered in its cavernous, crumbling halls for the annual Statewide festival; Minnie has returned to face her demons; and a colossal snowstorm is threatening to trap them all in the hotel. Then Alice’s roommate goes missing—from room 712. The search for her entwines an eccentric cast of characters: conductors and caretakers, failures and stars, teenagers on the verge and adults trapped in memories. For everyone has come to the Bellweather with a secret, and everyone is haunted.
Bellweather Rhapsody is a genre-bending page-turner, full of knowing nods to pop culture classics from The Shining to Agatha Christie to Glee. But its pleasures are beautifully deepened by Kate Racculia’s skill with her characters, her melancholy, affecting writing about music, and her fearlessness about the loss and darkness that underlines the truest humor. This is a wholly winning new novel from a writer to watch.
First Chapter or Excerpt
The Hotel Bellweather
Clinton’s Kill, New York
Minnie graves is a bridesmaid.
She hates it.
Her bangs are crispy with Aqua Net. Her ponytail is so tight her forehead aches. Her feet throb in shoes that are a size too small, Mary Janes dyed special to match the totally rancid dress Minnie’s big sister, Jennifer, picked out just for her. There’s a thing called a crinoline and she has to remember to always cross her legs and it’s a total pain in her twelve-year-old ass. And it’s pink. “It’s not pink, it’s cranberry wine,” Jennifer said, but Minnie, whose big brother, Mike, tells her about all the horror movies he watches, thinks she looks like someone dumped a bucket of pig’s blood on her.
Minnie’s mother told her that, when the wedding started, Minnie would forget the crinoline itched and just be happy to see her big sister get married to Theodore. But Minnie’s mother lied: Minnie spends the entire ceremony glaring laser-beam eyes at Theodore’s stupid stomach, thinking it’s really appropriate that he’s named after the fat chipmunk. The priest talks forever, and then, because she is part of the poofy-dress brigade, Minnie can’t go with the rest of her cousins for cheese and crackers and little hotdogs wrapped in bacon—she actually has to stay and take pictures with these morons, and act like she’s happy and everything is totally awesome, and pretend she doesn’t know what she knows about her big sister. What she saw in the mirror this morning. She smiles so hard her cheeks hurt as bad as her smashed toes.
The photographer wants to take pictures of the bride and groom by themselves. Minnie is free; she doesn’t wait for her parents or her brother, she just walks away. She thinks that if she stays a second longer she is going to throw up or haul off and punch someone, because she feels hot and itchy and awful and she doesn’t know how to talk about it. She stomps across the hotel lobby, away from the ballroom where she can hear the rest of her family gobbling those bacon hotdogs and blabbering—probably about how beautiful Jennifer looked, and wasn’t Theo handsome.
They are all so stupid. Minnie feels like crying, they’re so stupid.
At the elevators, she pushes the triangle pointing up. It turns yellow under her thumb. She doesn’t really care where she goes, she just wants to get away, so she steps in and pushes the first button she sees. Seven. It’s cracked. When it lights up the cracks glow like little bolts of lightning and Minnie wonders how many times you have to push a plastic elevator button to crack it. She steps on the heel of one shoe, then the other, and nudges them off her feet.
The car is small, with mirrors on all sides.
When Minnie blinks she sees Jennifer this morning. Standing with her back to the bathroom mirror, looking over her shoulder at a low bruise the size of a cantaloupe, the right spot for a kidney punch.
“Since when don’t you knock?” Jennifer says. “Beat it, Bug.”
“Did I do that?” Minnie asks, because they shared a bed last night, and Minnie has been known to run hurdles in her sleep.
Jennifer’s reflection tilts its head and her eyes are sad when she says, “No, honey.” And Minnie notices the bruise is yellowish on the edges. Bruises don’t turn that color until a few days after you fall, or run into a table, or wipe out on your skates.
Minnie doesn’t know why but her stomach aches. This feels—important. Important, and scary, and Jennifer—who has never told her little sister a single private grown-up thing—says she can’t tell anyone about it, okay? It doesn’t matter. Theo loves her. She knows Theo loves her. He promised her he’ll never do it again, and she believes him.
“Now beat it, Bug. For real.”
In the elevator, Minnie blinks and blinks but she can’t see anything except bruises reflected to infinity.
When the doors open, she bolts into the hallway and feels afraid. This is the biggest hotel she’s ever been in. Not that the Holiday Inn where they stayed when they visited Hershey Park was much competition for anything, but the Bellweather is so big, so in the middle of nowhere, it’s scary. She knows she’s in the tallest part, the tower, but there are hundreds of rooms and empty ballrooms and swimming pools (more than one!) and long dark halls with dark doors.
Stepping into the Bellweather for the first time was like being swallowed. A nice old man with a bow tie gave her a piece of candy and leaned down to say “Welcome to the Bellweather!” while her parents checked in, but it didn’t really help. He offered to take her and Mike on a tour, to the auditorium, the library, the shops, and the indoor squash courts, whatever those were; he was super-excited about showing off but Minnie didn’t want to go. She still can’t shake the awful feeling that the lobby, with its brick-red and gold and white curlicue carpet and red and gold fabric on the walls, is the stomach of some giant animal, that the old crooked chairs facing each other in half circles are rows and rows of teeth.
And it smells. It smells like Pledge and broccoli and Grandpa, and the first thing Mike said when they got to their room was “Come play with us, Danny!” And she really did haul off and punch him then, because he knows how scared she is of that movie. He went to see it last Halloween at the drive-in. It’s her own fault, she realizes; she asked him to tell her about it. “It’s the scariest thing you’ll ever see,” Mike said, wiggling his eyebrows. “There are these two little twin girls, about your age, and their dad chops them up with an ax and you see them, like, all bloody, with their parts strewn all over the hall. And they haunt the hotel and they’re really lonely, so when this kid Danny shows up on his Big Wheel—well, they just want to play with him. But ghosts don’t play very well with the living.”
She didn’t know which was scarier, getting chopped up with an ax or having no one to play with for eternity but your sister.
She shivers and looks down the hallway. It stretches on and on in either direction, the lights on the walls low and flickery. Minnie realizes she is holding her shoes, one in each hand, and thinks they’re the only weapons she has.
Against what? A little boy on a Big Wheel? Two little girls, hacked to pieces with an ax?
No, she tells herself. Don’t think about that. That’s just a movie. It’s not real. It didn’t happen.
She calms down for a second, but only for a second, because now that she’s not afraid of little girl ghosts she’s remembering that her sister just married a jerk. “Theo is an asshole,” she tells the hallway.
She smiles a real smile for the first time all day.
“Theo is a total asshole,” she says, a little louder.
Something thumps nearby and she starts, giggles.
“Theo is an asshole!” she shouts.
A door in front of her explodes and a man, his chest a bursting red balloon, flies out and crumples against the opposite wall. He lands with his face turned toward her and his eyes are bright blue and open, bloodshot with shock. There is a smell of hot metal, and Minnie, stunned, squeaks. She takes a step backward.
Then she takes a step forward.
Minnie Graves, who has never in her life had cause to be frightened of anything not contained on a television or movie screen, who has a surfeit of imagination and twice as much curiosity, convinces herself none of this will hurt her. She only knows that she wants to see this man up close, to discover what has ejected him so violently from room 712. Her bare feet are silent and the carpet is soft, and she crouches by the man’s body. He reminds her of her Uncle Bill: younger than her parents, older than her sister or Theodore. He is wearing a tuxedo with a sort of wide belt the color of Smurfs. His chest is a pile of red meat, bright against his white shirt. Minnie has to squint to look at it, like she’s looking straight at the sun.
He’s not dead the way Grandma Harris was dead last April. He’s not dressed neatly or lying with his hands crossed over his chest, cheeks too pink and waxy.
He is still warm. He’s leaking parts of himself. Minnie’s head fills with cold white static.
Large Cover Image
Twelve-year-old Minnie Graves is not happy. Not only is she forced to be a bridesmaid at her big sister's wedding but also her feet hurt and her dress itches. But there's worse to come. Before the day is out, she will witness a murder-suicide. Flash-forward 15 years to the anniversary of the fatal incident and Minnie returns to the scene of the crime, the gracious old Bellweather Hotel. It's a special weekend: the annual statewide music conference is being held there, which has brought teen twins Rabbit (real name Bert) and Alice Hatmaker to participate in the event. Also present is the eccentric Scottish conductor Fisher Brodie and the truly vile Viola Fabian, who is heading the conference. Before you can say plot point, Viola's daughter, Jill, has vanished—after apparently committing suicide (it's complicated). Whodunit? Well, it could be any of the above or perhaps the twins' chaperone, Natalie Wilson, or even Harold Hastings, the hotel's elderly concierge. That most of the characters have secrets adds a layer of intrigue to a musical mystery that strikes nary a false note. Encore, encore. Copyright 2014 Booklist Reviews.
Library Journal Reviews
It is time for the 1997 Statewide Music Festival at the decrepit Bellweather Hotel in New York's Catskill Mountains. The Hatmaker twins, bassoonist "Rabbit" and his singing-diva sister Alice, are attending with their chaperone Mrs. Wilson, a former piano prodigy. Longtime concierge Hastings is there to welcome them and the other high school musicians, along with volatile orchestra conductor Fisher Brodie and savage Statewide Music director Viola Fabian. Aside from the festival, the Bellweather is best known for a murder/suicide in room 712. The event was witnessed by Minnie Graves, who arrives the same weekend—which happens to be the tragedy's 15th anniversary—to face her demons. As a snowstorm bears down on the hotel, the star flutist disappears from the same room. Is it a prank or worse? VERDICT Part ghost story, part mystery, part coming-of-age tale, and part love sonnet to music, Racculia's second novel (after This Must Be the Place) is dark and delightful, with memorable characters inspired by both literature and pop culture. It will grab readers and keep them with multilayered plotting and writing that ranges from humorous to poetic.—Nancy H. Fontaine, Norwich P.L., VT
[Page 79]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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