Large Print, Book
Large type ed.
New York : Random House Large Print, 2014.
560 p. (large print) ; 24 cm.
"In 1938, Ruby, Helen and Grace, three girls from very different backgrounds, find themselves competing at the same audition for showgirl roles at San Francisco's exclusive "Oriental" nightclub, the Forbidden City. Grace, an American-born Chinese girl has fled the Midwest and an abusive father. Helen is from a Chinese family who have deep roots in San Francisco's Chinatown. And, as both her friends know, Ruby is Japanese passing as Chinese. At times their differences are pronounced, but the girls grow to depend on one another in order to fulfill their individual dreams. Then, everything changes in a heartbeat with the Japanese attack on Pearl Harbor. Suddenly the government is sending innocent Japanese to internment camps under suspicion, and Ruby is one of them. But which of her friends betrayed her?"-- Provided by publisher.
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After auditioning for showgirl roles at an exclusive San Francisco nightclub, three Asian-American girls rely on each other for survival until the Japanese attack on Pearl Harbor causes one of them to be betrayed and sent to an internment camp. - (Baker & Taylor)
Overcoming respective pasts to audition for showgirl roles at an exclusive San Francisco nightclub, three Asian-American girls rely on each other for survival until the Japanese attack on Pearl Harbor causes one of them to be betrayed and sent to an internment camp. (historical fiction). Simultaneous. - (Baker & Taylor)
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BYTHE WASHINGTON POST
The author of Snow Flower and the Secret Fan, Peony in Love, and Shanghai Girls has garnered international acclaim for her great skill at rendering the intricate relationships of women and the complex meeting of history and fate. Now comes Lisa See’s highly anticipated new novel, China Dolls.
It’s 1938 in San Francisco: a world’s fair is preparing to open on Treasure Island, a war is brewing overseas, and the city is alive with possibilities. Grace, Helen, and Ruby, three young women from very different backgrounds, meet by chance at the exclusive and glamorous Forbidden City nightclub. Grace Lee, an American-born Chinese girl, has fled the Midwest with nothing but heartache, talent, and a pair of dancing shoes. Helen Fong lives with her extended family in Chinatown, where her traditional parents insist that she guard her reputation like a piece of jade. The stunning Ruby Tom challenges the boundaries of convention at every turn with her defiant attitude and no-holds-barred ambition.
The girls become fast friends, relying on one another through unexpected challenges and shifting fortunes. When their dark secrets are exposed and the invisible thread of fate binds them even tighter, they find the strength and resilience to reach for their dreams. But after the Japanese attack Pearl Harbor, paranoia and suspicion threaten to destroy their lives, and a shocking act of betrayal changes everything.
Praise for China Dolls
“Superb . . . This emotional, informative and brilliant page-turner resonates with resilience and humanity.”—The Washington Post
“This is one of those stories I’ve always wanted to tell, but Lisa See beat me to it, and she did it better than I ever could. Bravo! Here’s a roaring standing ovation for this heartwarming journey into the glittering golden age of Chinese nightclubs.”—Jamie Ford, author of Hotel on the Corner of Bitter and Sweet
“A fascinating portrait of life as a Chinese-American woman in the 1930s and ’40s.”—The New York Times Book Review
“A sweeping, turbulent tale of passion, friendship, good fortune, bad fortune, perfidy and the hope of reconciliation.”—Los Angeles Times
“Lisa See masterfully creates unforgettable characters that linger in your memory long after you close the pages.”—Bookreporter
“Stellar . . . The depth of See’s characters and her winning prose makes this book a wonderful journey through love and loss.”—Publishers Weekly(starred review)
“China Dolls plunges us into a fascinating history and offers an accessible meditation on themes that are still urgent in our contemporary world.”—San Francisco Chronicle
“China Dolls is [Lisa See’s] most penetrating since Snow Flower and the Secret Fan.”—The Seattle Times
“A spellbinding portrait of a time burning with opportunity and mystery.”—O: The Oprah Magazine
From the Hardcover edition. - (Random House, Inc.)
First Chapter or Excerpt
October 1938–- July 1940
A Measly Girl
I traveled west—-alone—-on the cheapest bus routes I could find. Every mile took me farther from Plain City, Ohio, where I’d been a flyspeck on the wallpaper of small--town life. Each new state I passed throughloosened another rope around my heart, my legs, my arms, yet my whole body ached and I couldn’t shake my vertigo. I lived on aspirin, crackers, and soda pop. I cried and cried and cried. On the eighth day, California. Many hours after crossing the boundary,I got off the bus and pulled my sweater a little more tightly around me. I expected sun and warmth, but on that October afternoon, fog hung over San Francisco, damp, and shockingly cold.
Picking up my suitcase, I left the bus station and started to walk. The receptionists at the cheap hotels I visited told me they were full. “Go to Chinatown,” they suggested. “You can get a room there.” I had noidea where Chinatown was, so that didn’t help me. And I’ll say this about San Francisco: lots of hills, water on practically every side, and, it seemed to me, not a single street ran purely in any one direction. Finally, a man at a fleabag took my money—-adollar a day, in advance—-and gave me a key to a room.
I washed my hair in the basin and put it up in pin curls, then leaned in to the mirror to examine what remained of my injuries. My forehead had healed completely, but the inside of my skull continued to swim frombeing banged against the kitchen floor. The skin over my ribs was mottled green, gray, and purple. My shoulder still felt swollen and stiff from being dislocated and then jammed back into place, but the cut on my lip had nearly disappeared. I turned away andsat on the edge of the bed, hungry but too frightened to go out, and listening to the sound of God knows what coming through the walls.
I opened my purse and pulled out the magazine clipping Miss Miller, who’d taught me dance from the age of four, had torn from a magazine and given to me a few months earlier. I smoothed the advertisement with mypalm so I could study the artist’s sketch of the Golden Gate International Exposition. Even its location on Treasure Island seemed to beckon. “See, Grace, they’re looking for six thousand workers,” Miss Miller had said. “Dancers, singers, welders, carpenters.The whole works.” She’d sighed then. “I wanted to go so many places when I was young, but it takes guts—-and talent—-to leave everything and everyone you know. You could do it, though.” Her few words and that slip of paper had given me the courage to believeI actually could. After all, I’d won first prize at the Plain City Fair for my tap dancing and singing when I was seven and had held the title ever since.
You always planned to leave home, I told myself. Just because you had to escape sooner than expected doesn’t mean you can’t still fly to the stars.
But my pep talk—-in a scary hotel room, in a strange city, in the middle of the night—-did little to ease my fears. Once in bed, I could practically see the walls closing in around me. To calm myself, I began aroutine I’d invented as a small child, running my hands the length of my arms (a broken tibia when I was three; my mom told Doc Haverford I fell down the stairs), slipping along my sides (several broken and fractured ribs over the years), and then lifting eachleg and squeezing all the way to my feet (my legs had been a frequent target until I started dancing). The ritual both strengthened and soothed me. I was now alone in the world, with no home to return to and no one to rely on, but if I could survive my father’sbeatings and the petty prejudices of my hometown, then I could triumph over whatever obstacles the future threw my way. Maybe. Hopefully.
The next morning, I combed out my hair, sweeping up the sides and letting the curls billow below, the way Carole Lombard did inMy Man Godfrey. I put on the dress my dad bought for me when he took us toCincinnati to buy supplies for the laundry. I’d chosen a dusty--rose--colored cotton frock, with a geometric print composed of interlocking mustard--yellow and steel--gray squares. Mom said the pattern of the fabric and cut of the dress looked too mature forme—-and maybe that was so—-but now I considered myself lucky to be wearing something so sophisticated.
Filled with a sense of determination, I went downstairs and onto the street. I asked directions on nearly every corner and managed to find my way to the Ferry Building, where I boarded the boat to Treasure Island,about halfway across the bay and just under the Bay Bridge. I imagined everyone onboard was seeking a job at the Golden Gate International Exposition. As excited as I was, the pulse of the ferry through the choppy water roused my vertigo and my hunger untilI felt, once again, dizzy and sick. Once we reached the dock, everyone walked fast, wanting to be first in line for interviews. Me too. I spotted my first palm trees, which was thrilling because they meant I surely was in California. I’d never seen anythinglike the fair’s entrance. Giant towers composed of stacked cubes crowned by stylized elephants bookended the gate. Beyond, I glimpsed spires still clothed in scaffolding. My ears pounded from the sounds of hammers, the buzz of electric saws, the rumble of tractors,bulldozers, and flatbed trucks, and the shouts of men calling out orders and cursing the way they do on construction sites.
“Will they be done on time?” a man’s voice asked very close to my ear.
I jumped, spiraling into the terror I experienced around my dad. I swung around to find a young Occidental man about six feet tall, with broad shoulders and sandy--colored hair. He put up his hands in surrender.
“I’m sorry I scared you.” His mouth spread into a contrite smile as I met his deep blue eyes. He looked older than I—-maybe around twenty. He extended his hand. “My name’s Joe.”
“I’m Grace.” No last names. I liked that.
“I’m looking for a job as a rolling--chair boy.” He didn’t bother to explain what that was. “But the real reason I’m here is that I love planes, and I love to fly.”
Up ahead, the others from the ferry disappeared through the gate.
“I love planes so much that my parents told me if I got straight As in high school they’d let me take flying lessons,” Joe continued, sure of my interest. “I trained in a Piper Cub. I learned how to takeoff, land, what to do in a stall, and how to pull out of a spin. Now I have my pilot’s license.”
This told me, among other things, that his family had to be pretty well--off.
“What does that have to do with rolling chairs?”
He laughed and ran a hand through his hair. “Pan Am’s Clipper ships are going to be taking off and landing right here at Treasure Island!”
I nodded, pretending interest when I didn’t know what in the heck he was talking about.
“I’ve been chewing your ear off,” Joe acknowledged. “Sorry about that. What are you doing here?”
“I’m a dancer.”
“Neat.” He pointed his chin toward the gate. “We’d better catch up.”
When I stumbled a bit in my low--slung heels, he grabbed my arm to steady me, and I instinctively pulled away. His eyes went banjo big. I could tell he was about to apologize again.
“Where are you from?” I blurted, hoping to shift his attention.
“Winnetka, Illinois. I’m going to Cal.” Seeing my confusion, he explained, “The University of California. It’s over there.” He pointed east. “In Berkeley. I live in a fraternity house. How about you?”
“Plain City, Ohio.”
“Haven’t heard of it, but we’re both from the Midwest, and our states are practically neighbors. Friends?”
I nodded. He sure was a nice guy—-good--looking, and I liked the way the left side of his mouth tweaked up when he smiled.
“Whew!” He wiped his forehead in mock relief.
He was funny too.
When we had all reached the trailer, a man—-wearing gray flannel trousers, a leather jacket zipped halfway up his chest, and a charcoal--colored trilby pulled down to shield his eyes from the sun—-jumped on a crateand spoke above the din around us: “A lot of you have come from far away. That’s great! We need plenty of folks to get this place up and running. If you’re a painter, electrician, or plumber, head over to the Court of the Seven Seas. Harry will lead the way.”
Half the folks followed the man pointed out as Harry.
“I figure the rest of you are here to apply for either service or performance jobs,” the man in the trilby continued. “If you want to drive one of the elephant trams, work in a concession, become a rolling--chairboy, barker, waitress, fireman, or cop, then go to the Court of Flowers. No flowers there yet, just another trailer like this one.”
“That’s my cue,” Joe whispered. Then, “Good luck!”
He peeled away with a large group. He turned to look back at me, gave me a thumbs--up and another smile, both of which I returned. He strode with such confidence that dust kicked up around his shoes. Through theracket around me, I could just make out him whistling “All of Me.” I loved that song.
The man in the hat sized up those who remained. “All right then,” he said. “If you’re here to be models, dancers, or musicians, you’re with me. I’ll see you one at a time. After a preliminary look--see, I’ll sendyou on to auditions. If you make the cut .?.?. Aw, hell,” he said with a casual wave of his hand. “You know the drill. Line up here.”
One person after another entered the trailer and then exited five or so minutes later with either a grin or a grimace. I tried to prepare myself for the questions I might be asked about my dance experience, andonce again my father came into my mind. He may have beat me at home, but he liked to boast to others about how many ribbons and apple--pie prizes I’d won. He’d pushed me to be an “all--American girl,” which meant that he let me go to the Rialto to watch musicalsto inspire me to practice even harder. I adored Eleanor Powell in Broadway Melody of 1936, in which she danced without music. I saw that movie maybe ten times, and then tried to re--create her steps at every opportunity: on the sidewalk outside the theater,at Miss Mil-ler’s studio, and in our family’s laundry. Of course, the kids in school made fun of me when I said I wanted to be a star. “You? An Oriental girl?” They had a point. It wasn’t like there were any famous Chinese movie stars apart from Anna May Wong,and she didn’t sing or dance as far as I knew. Then I saw Dorothy Toy and Paul Wing—-a Chinese dance team—-in the whimsically titledWith Best Dishes. I decided if they could make it, why not me? But would any of that help me now? I suddenly feltvery apprehensive and very alone.
When my turn came, I entered the trailer and closed the door behind me as I’d seen others do. The man motioned for me to sit.
“How old are you?”
“Old enough to sing and dance,” I answered pertly. I wanted to be a star, so no matter how desperate I was, I had to act like one. “I’m good.”
The man pinched his chin as he considered my response.
“You’re Oriental,” he observed, “and you’re quite the knockout. Problem is, I don’t have anything for you.”
I opened my purse, pulled out Miss Miller’s clipping, and pushed it across the desk. “It says here you need performers for the Cavalcade of the Golden West—-”
“That’s a big show. Hundreds of performers. But I don’t need an Oriental girl.”
“What about at the Japanese Pavilion?” I asked, my false confidence instantly eroding. “I came from so far away. I really need a job.”
“It’s the Depression, kid. Everyone needs a job.” He glanced again at my application. “And I hate to break it to you, but you aren’t Japanese. Grace Lee, that’s Chinese, right?”
“Will anyone know?”
“Kid, I doubt anyone can tell the difference. Can you?”
I shrugged. I’d never seen a Japanese. I’d never seen a Chinese either other than my mother, my father, and my own reflection in the mirror—-and Anna May Wong, Toy and Wing, and a couple of Orientals playing maidsand butlers on the silver screen, but those weren’t in real life—-so how could I be certain of the difference between a Japanese and a Chinese? I only knew my mother’s thin cheeks and chapped hands and my father’s weathered face and wiry arms. Like that, myeyes began to well. What if I failed? What if I had to go home?
“We don’t have Orientals where I’m from,” I admitted, “but I’ve always heard that they all look alike.”
“Be that as it may, I’ve been told to be authentic .?.?.” He snapped his fingers. “I’ve got it. There’s going to be a Chinese Village. Those folks are doing their own hiring. Maybe I can get you set as a dancerfrom China.”
“I’m not from China. I was born here.”
Unconcerned, he picked up the phone. I listened as he suggested me to the person I assumed was in charge of the Chinese Village. He dropped the receiver back in the cradle. “They aren’t hiring dancers in a permanentway. With all the troubles in China, it wouldn’t be right.”
Troubles in China? I’d read about Germany’s aggression in Europe in the Plain City Advocate, but the newspaper came out only once a week. It barely covered events in Europe and never in Asia, so I was ignorantabout all things Chinese except Chinese rice wine, which my mom made and sold out our back door on Friday and Saturday nights to the men in Plain City—-a place as dry as chalk even after Prohibition ended. My mind pondered these things, but they were just adiversion from my panic.
“What about on the Gayway?” I remembered that from Miss Miller’s advertisement.
“That’s a carnival. I don’t see you there at all.”
“I’ve been to a carnival before—-”
“Not like this one.”
“I can do it,” I insisted, but he’d better not try sending me to a hoochie--coochie tent like they had for men at the Plain City Fair. I’d never do that.
He shook his head. “You’re a regular China doll. If I put you in the Gayway, the men would eat you up.”
My five minutes were done, but the man didn’t dismiss me. Instead, he stared at me, taking in my dress, my shoes, the way I’d curled and combed my hair. I lowered my eyes and sat quietly. Perhaps it was proof ofhow the most innocent can remain safe—-or that the man really was of good character—-that he didn’t try or even suggest any funny business.
“I’ll do anything,” I said, my voice now shaking, “even if it’s boring or menial—-”
“That’s not the way to sell yourself, kid.”
“I could work in a hamburger stand if I had to. Maybe one of the performers in the Cavalcade of the Golden West will get sick. You should have someone like me around, just in case.”
“You can try the concessions,” he responded dubiously. “But you’ve got a big problem. Your gams are good, and your contours and promontories are in the right places. You’ve got a face that could crush a lily. Butyour accent—-”
“Yeah. You don’t have one. You’ve got to stop talking all perfect. You need to do the ching--chong thing.”
Never! My father spoke in heavily accented English, even though he was born here. He always blamed it on the fact that he’d grown up in a lumber camp in the Sierras, where he lived with his father, who conversedonly in Chinese. My mother’s English was flawless. She was born in China but came to America so early that she’d lost her accent entirely. How she was raised—-somehow living far enough from other Chinese that she didn’t have an accent—-was never discussed.The one time I asked, my father smacked me. In any case, the three of us could understand each other only if we communicated in English. And even if we all had spoken the same dialect, my father would never have allowed us to use it.Speaking English meansyou are American, and we must be American at all times. Reciting sentences likeI hear you cut school again and what’s the big deal? showed we were assimilated. But all that didn’t mean Dad wouldn’t exaggerate his accent for his customersif he calculated it would make them happy.
Large Cover Image
The lives of three young Chinese-American women—Grace, Helen, and Ruby—intersect in valuable and often violent ways in pre-WWII San Francisco as they shed their drab former lives to become glamorous entertainers at the city's rising hot spot, the Forbidden City nightclub. Despite their divergent backgrounds, a mutual desire to shatter the cultural stereotypes that doom them to lives of familial subservience feeds their ambition to prosper in a world in which the definition of success changes minute by minute. Though they've taken a "one for all" vow of eternal loyalty, each harbors secrets that cause a pervasive atmosphere of distrust to simmer just below the surface. When Ruby is revealed to actually be of Japanese heritage and deported to an internment camp, their friendships and fortunes suffer a mortal blow, one that only deepens as the war rages on. In her impeccably researched and distinctive historical saga of desire and ambition, betrayal and revenge set amid the glitz and debauchery of burlesque entertainment on the "chop suey circuit," See (Dreams of Joy, 2011) again lavishly explores the thorny intricacies of female friendships. HIGH-DEMAND BACKSTORY: The alluring setting of always-popular Lisa See's latest work of women-oriented historical fiction will be vigorously promoted in print, radio, and online as the author embarks on a 10-city tour. Copyright 2014 Booklist Reviews.
Library Journal Reviews
The Chinese American nightclub era comes to life in See's (Snow Flower and the Secret Fan) latest novel, which revolves around three young women coming of age in San Francisco during World War II. Grace, Helen, and Ruby meet and become instant friends while auditioning as showgirls at the Forbidden City, a Chinese nightclub and cabaret. But then the Japanese attack on Pearl Harbor happens, and everything changes. The girls soon discover that they each carry secrets that will shake one another to the core. As the world slips further into war and tensions regarding Asian Americans rise, each woman's livelihood, heart, and strength will be tested. Can the seductive Ruby, dutiful Helen, and "white-washed" Grace find a way to keep their friendship alive? VERDICT While this novel is definitely slower paced than the author's prior works, See's many fans will still enjoy watching each protagonist's true story unfold; they will also be intrigued by the vivacity of the "Chop Suey Circuit." These colorful and fascinating historical touches tie the story together perfectly and form an exquisite backdrop for the adventures of the three friends. [See Prepub Alert, 12/16/13.]—Chelsie Harris, San Diego Cty. Lib.
[Page 80]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Library Journal Reviews
In 1938, three friends are competing for a single job as showgirl on San Francisco's Chop Suey Circuit, the glittery underworld of all-Asian revues. Chinese American Grace has fled her Midwestern home and beatings by her father, Helen's family has long resided in San Francisco's Chinatown, and, crucially, Ruby is Japanese but passing for Chinese. With the attack on Pearl Harbor, Japanese Americans are being interned, among them Ruby. Did one of her friends betray her? With a 12-city tour.
[Page 71]. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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